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Themis, a study of the social origins of Greek ... - Warburg Institute

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VIIl] Roman Genius <strong>of</strong> <strong>the</strong> Penus 301<br />

much <strong>the</strong> same. Timaios <strong>the</strong> historian expresses himself thus as to <strong>the</strong>ir<br />

form and appearance. The sacred things deposited in <strong>the</strong> adyta at Lavinium<br />

are Kerykeia <strong>of</strong> iron and bronze and Trojan pottery, and he said that he<br />

learnt this from <strong>the</strong> natives <strong>of</strong> <strong>the</strong> place.<br />

The house-snake <strong>of</strong> <strong>the</strong> Romans as guardian <strong>of</strong> <strong>the</strong> penus is far<br />

more familiar to us than <strong>the</strong> Agathos Daimon or Zeus Ktesios<br />

<strong>of</strong> <strong>the</strong> <strong>Greek</strong> storeroom. He appears on countless Graeco-Roman<br />

wall-paintings. A good instance is given in Fig. 80 \ We have<br />

Fig. 80.<br />

<strong>the</strong> facade <strong>of</strong> a house in temple-form—<strong>the</strong> pediment decorated<br />

with sacrificial gear, a boucranium, a patera, a sacrificial knife.<br />

Within, supposed no doubt to be within <strong>the</strong> penetralia, are <strong>the</strong><br />

1 From <strong>the</strong> photograph <strong>of</strong> a Pompeiau wall-painting.

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