Skådespelarens praktiska kunskap

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Innehåll 3 Skådespelarens praktiska kunskap – Maria Johansson Abstract ................................................................................................................................................................. 1 Kort sammanfattning............................................................................................................................................ 2 Kapitel 1 - MIN UTGÅNGSPOSITION - MIN BERÄTTELSE ...................................................................... 6 Att bli skådespelare ................................................................................................................................................. 6 Estetisk linje – dramatikinriktning .......................................................................................................................... 7 Praktik ..................................................................................................................................................................... 8 Söka scenskolan .................................................................................................................................................... 10 Proven ................................................................................................................................................................... 11 Vändpunkt (VP) i livet .......................................................................................................................................... 11 Gruppen................................................................................................................................................................. 12 Blivande skådespelare ........................................................................................................................................... 13 Elev ....................................................................................................................................................................... 14 Penkametodens etyder och De 5 V: na .................................................................................................................. 15 Redovisning av etyd .............................................................................................................................................. 17 Vändpunkt – förhållningsvändpunkt ..................................................................................................................... 17 Sceniska tankar ..................................................................................................................................................... 18 Figuren .................................................................................................................................................................. 19 Teoriundervisning ................................................................................................................................................. 19 Teoretiskt textarbete/analys .................................................................................................................................. 20 Färdigutbildad ....................................................................................................................................................... 20 Klasskamraterna .................................................................................................................................................... 21 Ute i yrket ............................................................................................................................................................. 22 Kapitel 2 - INTUITION........................................................................................................................................ 25 Aristoteles ............................................................................................................................................................ 25 Intuition i skådespelarens praxis ....................................................................................................................... 27 Intuition ur två vinklar ........................................................................................................................................ 28 Förstahandsinformationen ................................................................................................................................. 31 Förstagångsinformation i praktiken .................................................................................................................. 33 Det-som-för-närvarande-försiggår .................................................................................................................... 34 Aristoteles och urskillningsförmågan ................................................................................................................ 35 Urskillningsförmågan i kollektivt arbete ........................................................................................................... 38 Blockering av intuitionen .................................................................................................................................... 38 Intuitionen och Hans Larsson ............................................................................................................................. 40 Om intuitionen i början av yrkeslivet ................................................................................................................ 41 Intuition och regi ................................................................................................................................................. 42 Stanislavskij ......................................................................................................................................................... 45 Exempel från memoarer ..................................................................................................................................... 46 Några tankar om intuition .................................................................................................................................. 47 Impuls kontra intuition ....................................................................................................................................... 48 Kapitel 3 - MOD ................................................................................................................................................... 51
4 Skådespelarens praktiska kunskap – Maria Johansson Fruktan – tillförsikt – mod .................................................................................................................................. 51 Att ”sejfa” .............................................................................................................................................................. 53 ”Du ska inte tro att du är något” ......................................................................................................................... 56 ”Man måste igenom en massa skit och det modet måste man ha” .................................................................. 58 ”Vilket taskigt privatliv du måste ha” ................................................................................................................ 60 ”Men det är ju något med nakenhet” .................................................................................................................. 64 ”Om jag misslyckas, att det inte bara hänger på mig” ....................................................................................... 65 ”För jag vill inte bli, vad skall jag säga, nergjord av publiken” ......................................................................... 70 Prövningen ........................................................................................................................................................... 72 Aristoteles och karaktärsdygderna .................................................................................................................... 73 Besinningen ......................................................................................................................................................... 73 Frikostigheten ...................................................................................................................................................... 75 Storslagenheten ................................................................................................................................................... 75 Stoltheten ............................................................................................................................................................. 76 Ambitionen .......................................................................................................................................................... 77 Godlyntheten ....................................................................................................................................................... 77 Vänligheten .......................................................................................................................................................... 78 Uppriktigheten ..................................................................................................................................................... 79 Kvickheten ........................................................................................................................................................... 80 (Skamkänslan) ..................................................................................................................................................... 81 Rättrådigheten ..................................................................................................................................................... 82 En ny syn .............................................................................................................................................................. 83 Kapitel 4 - ANEKDOTER .................................................................................................................................... 84 En invigningsrit ................................................................................................................................................... 84 Positionering ........................................................................................................................................................ 86 Kunskapsförmedling ........................................................................................................................................... 87 Praktiserande ...................................................................................................................................................... 90 Utsatthet ............................................................................................................................................................... 91 Memoarer ............................................................................................................................................................. 93 Vitsen med anekdoter ......................................................................................................................................... 95 Kapitel 5 - SKAPANDET - VETSKAPEN OM ATT DET ALLTID KAN BLI BÄTTRE ..................................... 96 ”Det är långt mellan lycka och leda” ................................................................................................................... 96 Vad innefattar begreppet att skapa för skådespelarna? ................................................................................... 97 Hermeneutiken .................................................................................................................................................... 99 Den hermeneutiska cirkeln – skådespelarens arbetsmetod .......................................................................... 100 Luckor som öppnas ........................................................................................................................................... 101 Överenskommelser ........................................................................................................................................... 105 Öppen beredskap ............................................................................................................................................... 108 Respons .............................................................................................................................................................. 111 Regijobbet .......................................................................................................................................................... 115 Konstruktiv dialog ............................................................................................................................................. 119 Ömsesidigt förtroende ...................................................................................................................................... 123
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ANEKDOTER En invigningsrit 84 Skåd
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Lisen: Ja, som det blir något kons
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Summary 154 Skådespelarens praktis
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Luterkort, Ingrid, Skådespelarens
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