Klangsynthese und Physical Modeling - Brothers in Music
Klangsynthese und Physical Modeling - Brothers in Music
Klangsynthese und Physical Modeling - Brothers in Music
Sie wollen auch ein ePaper? Erhöhen Sie die Reichweite Ihrer Titel.
YUMPU macht aus Druck-PDFs automatisch weboptimierte ePaper, die Google liebt.
DIPLOMARBEIT HENRI HAGENOW<br />
[Moorer, 1977] J.A. Moorer, 1977: Signal Process<strong>in</strong>g Aspects of Computer<br />
<strong>Music</strong> – A Survey (Computer <strong>Music</strong> Journal 1(1), p.: 4-37)<br />
[Moorer, 1985] J.A. Moorer, 1985: Signal process<strong>in</strong>g aspects of computer<br />
music: a survey [<strong>in</strong> J. Strawn (ed.): Digital Audio Signal<br />
Process<strong>in</strong>g: An Anthology, Chapter 5, p.: 149-220 (William<br />
Kauffmann, Inc.)]<br />
[Morse, 1981] P.M. Morse, 1981: Vibration and So<strong>und</strong>; 4 th ed. (American<br />
Institut of Physics, for the Acoustical Society of America,<br />
1 st ed. 1936)<br />
[Morse & Ingard, 1968] P.M. Morse, K.U. Ingard; New York 1968: Theoretical<br />
Acoustics (McGraw-Hill)<br />
[Nolt<strong>in</strong>g, 2001] W. Nolt<strong>in</strong>g, Heidelberg 2001: Gr<strong>und</strong>kurs Theoretische Physik<br />
3, Elektrodynamik, 6. Aufl. (Spr<strong>in</strong>ger Verlag)<br />
[Parks&Burrus, 1987] T.W. Parks, C.S. Burrus; New York 1987: Digital Filter Design<br />
(John Wiley & Sons Inc.)<br />
[Rab<strong>in</strong>er & Gold, 1975] L.R. Rab<strong>in</strong>er, B. Gold; Engelwood Cliffs (NJ) 1975: Theory and<br />
Application of Digital Signal Process<strong>in</strong>g (Prentice-Hall Inc.)<br />
[Rab<strong>in</strong>er&Schafer, 1978] L.R. Rab<strong>in</strong>er, R.W. Schafer, Engelwood Cliffs 1978: Digital<br />
Process<strong>in</strong>g of Speech Signals (Prentice-Hall)<br />
[Raman, 1918] C.V. Raman, The Indian Association for the Cultivation of<br />
Science 1918: On the Mechanical Theory of the Vibrations of<br />
Bowed Str<strong>in</strong>gs and of <strong>Music</strong>al Instruments of the Viol<strong>in</strong> Family,<br />
with Experimental Verification of the Results. (Proceed<strong>in</strong>gs,<br />
Bull15)<br />
[Rank, 1996] Erhard Rank, Wien 1996: Simulation von Musik<strong>in</strong>strumenten<br />
mit nichtl<strong>in</strong>earen dynamischen Systemen (Diplomarbeit)<br />
[Reuter, 1995] C. Reuter, Frankfurt am Ma<strong>in</strong> 1995: Der E<strong>in</strong>schw<strong>in</strong>gvorgang<br />
nichtperkussiver Musik<strong>in</strong>strumente (Peter Lang Verlag)<br />
[Risset, 1964] J.-C. Risset, 1964: Computer <strong>Music</strong> Experiments (Computer<br />
<strong>Music</strong> Journal 1985, 9(1), p. 11-18); repr<strong>in</strong>ted <strong>in</strong> [Roads, 1989]<br />
[Roads, 1989] C. Roads, Cambridge 1989: The <strong>Music</strong> Machiene (MIT-Press)<br />
[Roads, 1996] C. Roads, Cambridge 1996: The Computer <strong>Music</strong> Tutorial<br />
(MIT-Press)<br />
[Ruschkowski, 1998] A. Ruschkowski, Stuttgart 1998: Elektronische Klänge <strong>und</strong><br />
musikalische Entdeckungen (Reclam)<br />
[Ruiz, 1996] P.M. Ruiz, Urbana 1996: A Technique for Simulat<strong>in</strong>g the<br />
Vibrations of Str<strong>in</strong>gs with a Digital Computer (Dissertation PhD<br />
<strong>Music</strong> Master, Univers. Ill.)<br />
Onl<strong>in</strong>e-Version 1.0<br />
123