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Klangsynthese und Physical Modeling - Brothers in Music

Klangsynthese und Physical Modeling - Brothers in Music

Klangsynthese und Physical Modeling - Brothers in Music

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DIPLOMARBEIT HENRI HAGENOW<br />

[Smith&Cook, 1992] J. O. Smith III, P.R. Cook, 1992): The second-order digital<br />

waveguide oscillator (Proceed<strong>in</strong>gs of the 1992 International<br />

Computer <strong>Music</strong> Conference, San Jose, p.: 150-153)<br />

[Smith&Serra, 1987] J.O. Smith III, X. Serra; 1987: PARSHL: An Analysisi/Synthesis<br />

Program for Non-Harmonic So<strong>und</strong>s based on a S<strong>in</strong>usoidal<br />

Respresentation (Proceed<strong>in</strong>gs of the International Computer<br />

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[Strum&Kirk, 1988] R.D. Strum, D.E. Kirk; Read<strong>in</strong>g 1988: First Pr<strong>in</strong>ciples of<br />

Discrete Systems and Digital Signal Process<strong>in</strong>g (Addison-<br />

Wesley)<br />

[Strawn, 1980] J. Strawn, 1980: Approximation and syntactic analysis of amplitude<br />

and frequency functions for digital so<strong>und</strong> synthesis<br />

(Computer <strong>Music</strong> Journal 4(3), p.: 3-24)<br />

[Strutt-Rayleight, 1945] J.W. Strutt-Rayleight (Lord Rayleight), New York 1945: The<br />

Theory of So<strong>und</strong>; 2 nd Edition, Vol.1 (Dover Publ.)<br />

[Sullivan, 1990] C.R. Sullivan, 1990: Extend<strong>in</strong>g the Karplus-Strong algorithm to<br />

synthesize electric guitar timbres with distortion and feedback<br />

(Computer <strong>Music</strong> Journal, 14(3), p.: 26-37)<br />

[Tolonen et al., 1998] T. Tolonen, V. Välimäki, M. Karjala<strong>in</strong>en; 1998: Evaluation of<br />

Modern So<strong>und</strong> Synthesis Methods (Hels<strong>in</strong>ky University of<br />

Technology; Dpt. Of Electrical & Communications Eng<strong>in</strong>eer<strong>in</strong>g,<br />

Lab. of Acoustics & Audio Signal Process<strong>in</strong>g; Report 48)<br />

[Tomisawa, 1981] N. Tomisawa, 1981: Tone production method for an electronic<br />

musical <strong>in</strong>strument (U.S. Patent 4,249,447)<br />

[Truax, 1977] B. Truax, 1977: Organizational techniques for c:m ratios <strong>in</strong><br />

frequency modulation (Computer <strong>Music</strong> Journal 1(4), p.:39-45)<br />

[Vaidyanathan, 1993] P.P. Vaidyanathan, Englewood Cliffs 1993: Multirate Systems<br />

and Filter Banks (Prentice-Hall)<br />

[Van Duyne&Smith, 1993] S.A. Van Duyne & J.O. Smith III, 1993: <strong>Physical</strong> model<strong>in</strong>g<br />

us<strong>in</strong>g the 2-D digital waveguide mesh (Proceed<strong>in</strong>gs of the<br />

1993 International Computer <strong>Music</strong> Conference, p. 40-47;<br />

CMA)<br />

[Van Duyne&Smith, 1995] S.A. Van Duyne & J.O. Smith III, 1995: The tetrahedral waveguide<br />

mesh: Multiply-free computation of wave propagation <strong>in</strong><br />

free space (Proceed<strong>in</strong>gs of the IEEE Workshop on<br />

Applications of Signal Process<strong>in</strong>g to Audio and Acoustics,<br />

p.9a.6 1-4; IEEE Press)<br />

[VanValkenburg, 1960] M.E. VanValkenburg, New York 1960: Introduction to Modern<br />

Network Synthesis (John Wiley & Sons Inc.)<br />

Onl<strong>in</strong>e-Version 1.0<br />

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