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Movies for TV - Early Television Foundation

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MOVIE-MAKING EQUIPMENT 89<br />

This defect is found in two <strong>for</strong>ms: random focus drift which<br />

happens <strong>for</strong> no apparent reason in a release print which is pre-<br />

sumably new, or at least in good condition (of course, when it<br />

occurs in a reel made up of odd trailers or shorts the reason is<br />

obvious) ; and the regular drift already discussed.<br />

It is not caused by buckled film, <strong>for</strong> this defect is caused by<br />

projection, and focus drift can occur in a brand new reel straight<br />

from the film laboratory. One cause which seems the most logical<br />

and reasonable is film curl. Once it has <strong>for</strong>med, there is not much<br />

that can be done to correct it in the case of long reels. However,<br />

<strong>for</strong> short lengths of film the cause provides the solution. Film curl<br />

is caused by film being continuously wound in the same direction<br />

so that it becomes set. Thus even on an apparently straight section<br />

such as one frame, in the gate, there is a very slight radius. A short<br />

length can be cured by rewinding very tightly in the same direction<br />

as originally wound but with the emulsion direction reversed. If<br />

fastened securely and left <strong>for</strong> a week or so, the curl will be re-<br />

duced.<br />

Incidentally, the safety films are considerably more prone to<br />

this effect than the inflammable film and it is one of the most prev-<br />

alent faults found. Moreover, since 16 mm safety film comprises<br />

most of the film stock used on television, this becomes a point to<br />

which more attention could well be paid by users as well as<br />

processors.<br />

As was mentioned previously "green" or new film, undergoes<br />

considerable change in the first few weeks after it has been proc-<br />

essed. Although it is apparently thoroughly dry when received,<br />

it contains, in reality, a large amount of moisture absorbed during<br />

its passage through the various developing, fixing, and hardening<br />

baths and the numerous washings it receives. The passage through<br />

the processing equipment is also fraught with tension changes, <strong>for</strong><br />

speed variations plus differing adjustments of the rollers all act to<br />

apply varying tensions to the film. These affect the film more<br />

easily when it is warm and wet and only slowly are discarded as<br />

it finishes the drying out process.<br />

Film in storage, especially new film, should be rewound

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