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Movies for TV - Early Television Foundation

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138<br />

FUNDAMENTALS<br />

Focussing the Lens In all types of lenses, focussing<br />

is accom-<br />

plished by rotating the lens barrel. This has the effect of changing<br />

the spacing between two or more lenses and thus bringing all the<br />

rays of light to converge at one point and produce a sharply de-<br />

fined image on the film.<br />

Quite obviously focussing is even more important than film<br />

movement speed <strong>for</strong> if a fuzzy out-of-focus image is produced it<br />

is of absolutely no use whatever, while a series of frames taken too<br />

fast or too slowly may be usable by the employment of one or an-<br />

other of the methods used to change frame speed. Probably the<br />

most important effect of focussing is the effect on depth of field.<br />

This is the "working distance" of the lens. In other words, it describes<br />

the limits of closeness to, and distance from, the camera<br />

between which the set will be in focus. This figure changes with<br />

every change of / opening: the larger the opening, the more critical<br />

and smaller it becomes. Thus <strong>for</strong> close work it is always ad-<br />

visable to "stop down" to increase the depth of field so that all<br />

featuress of a face may be in focus. It is quite possible when using<br />

close shots and large apertures <strong>for</strong> the tip of a nose to be in focus<br />

and the rest of the face blurry due to extremely short depth of<br />

field.<br />

There are three general methods of focussing in use; the last<br />

one to be described is the best, but it requires a more costly<br />

camera. For normal use, the calibration on the lens barrel or<br />

focussing ring is sufficiently accurate, so the distance from the<br />

lens to the subject is measured with a long steel tape. The meas-<br />

ured distance is then set on the lens barrel. This is quite satisfac-<br />

and cameramen.<br />

tory and is used by many excellent producers<br />

However, it does not produce the exact focus demanded by per-<br />

fectionists and sometimes through carelessness gives very poor<br />

results.<br />

The second method is the rack-over system in which the<br />

camera body slides to one side and a viewing eyepiece comes into<br />

position so that the picture which will be recorded can be seen<br />

and lens which will be used <strong>for</strong> film-<br />

through the same aperture

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