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Movies for TV - Early Television Foundation

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188<br />

FUNDAMENTALS<br />

(Courtesy of Bell & Howell Company)<br />

Fig. 9-1. Bell & Howell Filmotion 16 mm editing equipment.<br />

It consists of a pair of rewind reels and stands and a viewer <strong>for</strong><br />

selecting places to cut.<br />

and then faded out. A new shot of the next stage is taken with the<br />

object in exactly the same place and faded in. When the two<br />

films are properly printed in the optical printer, one fades away<br />

as the new one emerges from the old object. Dancing is particularly<br />

well helped by this effect since a cut from a long to a<br />

close-up shot is often disturbing because of the sudden transition<br />

in the middle of a delicate dance.<br />

The actual mechanics of film editing will now be discussed<br />

from the point of view of the beginning worker. For the time<br />

being<br />

it will be assumed that titles are to be considered later so<br />

as to keep the issue clear. In many cases, the choice of titles is left<br />

with the editor.<br />

For effective and efficient work the proper tools are required.<br />

Many companies manufacture all the equipment needed and gen-<br />

erally speaking one make is as good<br />

as another so that the inclu-<br />

sion or omission of any particular make is not an indication of<br />

quality but is caused by the need to be economical with space.<br />

The one point to watch is to make sure that whatever equipment<br />

is bought, it is strong enough to stand up to continuous work.

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