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Movies for TV - Early Television Foundation

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CHAPTER 14<br />

USING FILMS ON <strong>TV</strong><br />

From the point of view of the budget-restricted program director,<br />

the motion picture film offers the nearest approach to getting<br />

of half an hour<br />

something <strong>for</strong> nothing. If he has to fill a period<br />

to one hour he can rent footage to fill the time at prices that range<br />

from $50 <strong>for</strong> the half-hour to $125 <strong>for</strong> a feature program. Ad-<br />

mittedly, the films are probably over ten years old ; however, many<br />

people enjoy seeing the old films again, and quite<br />

a lot of them<br />

are worth reseeing. That is the basic advantage of the motion<br />

picture <strong>for</strong> television. In a way, however, this is a very minor role.<br />

The real use <strong>for</strong> film is in helping the producer of live productions<br />

to establish the right atmosphere by making it possible <strong>for</strong> him to<br />

portray scenes that would normally be quite beyond the capability<br />

of any television studio to construct. The major film studios<br />

think nothing of spending $50,000 on one scene, but $50 is a lot<br />

of money to the program director of a station operating in, or<br />

very near, the red. For one thing, the physical space to construct<br />

the number of extras re-<br />

such a set is not available; <strong>for</strong> another,<br />

quired would render it beyond the scope of the organization.<br />

Let it be assumed that a program is being produced which re-<br />

quires the action to take place on a crack cross-country train. Most<br />

of the action is in the lounge car, but it is necessary to show the train<br />

traveling across the country to establish the atmosphere. It might be<br />

merely the opening shot faded in after the titles, or it might be in-<br />

serted between a shot of the principal characters walking down the<br />

corridor as the train dashes through the night. Quite obviously the<br />

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