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Movies for TV - Early Television Foundation

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MOVIE-MAKING EQUIPMENT 55<br />

the battery supply. Figure 3-5 is a drawing of the camera layout<br />

showing the names of various parts appearing in Figure 3-2.<br />

Although this is the layout <strong>for</strong> the Auricon specifically, most<br />

cameras are similar in principle and if this is studied no difficulty<br />

should be experienced with other makes of equipment. Inciden-<br />

tally, the similarity between the camera and projector is quite clear<br />

if this sketch is compared with Figure 4-17. The film loops above<br />

and below the picture gate should also be noted. The distance<br />

between the picture and sound gate is exactly twenty-six frames,<br />

the same as in the projector.<br />

9<br />

^s'ool With'"<br />

B-Wound Film<br />

Supply<br />

Spindle<br />

Auricon<br />

Magazine<br />

Single Pressure<br />

Pressure-plat<br />

Aperture-pla<br />

Intermittent Claw<br />

Magazine Light-trap Rolleu Magazine Light-trap<br />

Magazine Fastening Screw ) / Take-up Spindle<br />

Recording Sprocket<br />

/<br />

Spinner Knob<br />

Magazine Light-trap Roller<br />

Magazine Light-trap<br />

Magazine Fastening Screw<br />

Sound-track Exposure Point<br />

Daylight Loading<br />

Take-up Spool<br />

Fig. 3-5. Diagram of film path through the Auricon camera.<br />

It is clear how, hy the time the film reaches the sound recorder,<br />

all intermittent movement has been smoothed out. This type of<br />

camera provides extreme economy in operation.

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