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Movies for TV - Early Television Foundation

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124<br />

FUNDAMENTALS<br />

a further loss occurs. It would seem to be a miracle that a picture<br />

of any kind is obtained! Actually, the losses are so small that they<br />

do not amount to much once the film has been recorded, and in<br />

fact sometimes the actual process of reproducing the film introduces<br />

effects which tend to cancel these losses.<br />

Be<strong>for</strong>e describing an actual installation, it would be well to<br />

consider the problems involved in taking a picture of the television<br />

screen. At first sight it might appear that what would be required<br />

is a camera focussed on the kinescope. Most receivers do have a<br />

bright enough picture to enable photographs to be made. But since<br />

the complete picture is on the screen <strong>for</strong> only one-thirtieth of a<br />

second (remember thirty frames per second) it means that the<br />

maximum lens-opening time is only one-thirtieth of a second. This<br />

at once introduces a fixed constant into the calculations ; the shutter<br />

speed has been determined. Now <strong>for</strong> the amount of light available.<br />

In home receivers, this would easily become a problem and the<br />

various designers have solved it in two ways. One system, Para-<br />

mount's, involves the use of a standard ten-inch tube producing a<br />

picture about three by four inches. The other uses a small, five-inch<br />

projection tube with a very brilliant blue picture. Each method has<br />

advantages and each provides sufficient light. This gives us two<br />

we know the shutter opening and the amount<br />

figures to work with ;<br />

of light available. From this it is possible to determine the size of<br />

the lens opening / or T value by taking into account the speed<br />

of the emulsion. So we're all set to go or are we? What happens<br />

if we shoot at thirty frames a second?<br />

The television frame and the camera will be in synchronization<br />

because they are running at the same speed, and the program will<br />

be properly recorded. (Yes?) Now, what happens when the film<br />

is processed and sent to station XXXX-<strong>TV</strong> in the wilds of Wis-<br />

consin? It is placed on the projector and exhibited. But wait a<br />

minute, there is something wrong! What is it? Why, the people<br />

are all very tired, they move so slowly. Perhaps the is<br />

projector<br />

running too slowly? No, that's the proper speed. Ah ! The film was<br />

made at thirty frames a second and projected at twenty-jour, so of<br />

course it is running more slowly than when it was made and the

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