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Movies for TV - Early Television Foundation

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40<br />

FUNDAMENTALS<br />

is the signal is fed to the transmitter modulating stage. This is<br />

merely a section of the transmitter containing a number of tubes<br />

which impress the signal on the steady carrier from the transmitter.<br />

Modulation can be likened to the effect obtained when a shutter is<br />

placed over a searchlight and used <strong>for</strong> sending morse code in long<br />

and short flashes. The only difference is that the signal carrier is<br />

never completely reduced to zero as is the searchlight signalling.<br />

This is called amplitude modulation since the television signal<br />

changes the amplitude or strength of the carrier. This carrier, al-<br />

though fluctuating most of the time, is full strength, or 1 00 per cent<br />

modulation at the beginning of each line, <strong>for</strong> the sync pulse is al-<br />

ways full power. This is so receivers can have every opportunity of<br />

obtaining the optimum signal <strong>for</strong> them to hold the pictures in step<br />

even in areas of low signal strength.<br />

The home receiver is very similar to a sound radio in that it has<br />

tuning controls and is a super heterodyne, which is a highly sensitive<br />

type of receiver. However, instead of having a loudspeaker, it has<br />

the cathode-ray tube. And to operate it, there are circuits very<br />

similar to those of the sync generator in the studio. When the sync<br />

pulses are received, they are combined with the video in<strong>for</strong>mation,<br />

so it is necessary to separate them. After this is done, the video in-<br />

<strong>for</strong>mation is fed to the kinescope and causes it to fluoresce according<br />

to whether the picture is bright or dark at the time. However, this<br />

is not enough to produce an intelligent picture, so the separated sync<br />

signals are fed to a miniature sync generator and produce driving<br />

voltages which in turn produce a magnetic field in coils around the<br />

neck of the kinescope tube. These are in exact step with those in the<br />

camera tube. Thus, when the electron beam in the camera is at the<br />

top left-hand side of the mosaic, the beam in the receiver is at the<br />

same spot on its screen and it reproduces the movement of this beam<br />

in all respects.<br />

In America the system of negative modulation is used: that is,<br />

the darker the picture, the stronger the carrier or the more output<br />

from the transmitter. In England, positive transmission system is<br />

used and the brighter parts of the picture make the carrier stronger.<br />

Both methods have their advantages, but it seems that the negative

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