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Movies for TV - Early Television Foundation

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236<br />

Picture Lens Field Frame<br />

View Finder Field<br />

(A)<br />

FUNDAMENTALS<br />

View Finder Frame<br />

Picture Frame<br />

Fig. 11-2. (A) Illustration of view finder and camera lens<br />

alignment. (B) Illustration showing how, at close range, parallax<br />

may cause the photographic image to be off the film.<br />

the correct lens to match the lens used on the camera. There is<br />

often a small viewing lens mounted on the camera above the gate.<br />

The turret lens can be focussed and the scene composed through<br />

this be<strong>for</strong>e rotating the lens into place. Other manufacturers use<br />

different methods of view finding, but they work out about the<br />

same in the end. The main drawback to all these methods is the<br />

fact that it is impossible to watch the actual scene being shot,<br />

especially when dollying. However, it is probable that the average<br />

film production <strong>for</strong> television will not use a great number of dolly<br />

shots, and those which are included can perhaps be made with<br />

the aid of the standard view finder.<br />

One point which causes the average beginner in film work<br />

more sorrow than anything else is the size of magazine used. The<br />

type of camera usually found in stations is the semi-professional<br />

or advanced amateur model. These cameras generally have an<br />

internal space <strong>for</strong> a 100-foot reel of film, and provision <strong>for</strong> the<br />

external addition of a 200-foot or 400-foot magazine. They are<br />

generally spring-driven. More lost shots have been caused through<br />

the use of spring drives and 100-foot reels than any other cause.<br />

An electric motor should always be used to drive the camera. A<br />

12-volt battery which is easily recharged and carried in a car and<br />

(BJ

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