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Movies for TV - Early Television Foundation

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LIGHTING 163<br />

In setting up stage lights, there are certain rules which have<br />

already been given. In order to implement these rules,<br />

it is neces-<br />

sary to measure in some manner the light which falls on the subject.<br />

There are a number of ways in which this can be done; the oldest<br />

and most useless is by guesswork on the part of the producer. When<br />

emulsions and equipment were cruder, more could be blamed on<br />

them and the laboratory which did the processing. But today, in<br />

spite of the increased latitude of film, much more care is required<br />

both <strong>for</strong> television and <strong>for</strong> film work. A preciseness has come into<br />

the field which leaves no room <strong>for</strong> "guesstimation." Production<br />

costs are so high today that a man who uses that method will soon<br />

find himself without a payroll provider.<br />

Fortunately the requirements are not so exacting<br />

that it is neces-<br />

sary to use laboratory equipment to do a good job. There<strong>for</strong>e,<br />

simple photoelectric meters can be used to determine the light<br />

present. This meter works on the same piinciple<br />

as the television<br />

camera tube: that is, it is photosensitive. When light falls on one<br />

of the electrodes in the meter, usually a flat strip<br />

of metal coated<br />

with one of a number of different salts which are affected by light,<br />

it generates a voltage. This voltage is proportional to the intensity<br />

of the light falling on it. Hence, the stronger the light, the greater<br />

the deflection of the needle. The meter may be calibrated in a num-<br />

ber of ways: some show the stop to use <strong>for</strong> a given film emulsion,<br />

others the American Standard number to be used in further calcula-<br />

tions. Still others give a direct reading of the light intensity in candle<br />

power.<br />

Whatever method is used, the application of the in<strong>for</strong>mation<br />

is not difficult. For live work, of course,<br />

there is no emulsion to<br />

worry about, only the lens aperture and ratios of one light to<br />

another. The meter itself is quite small about the size of the old-<br />

fashioned "turnip" watch, and perhaps a little thicker. It is usu-<br />

ally suspended around the neck by means of a black cord; it has<br />

the effect of making the wearer look important, if nothing else.<br />

There are two ways to use the standard meter, the direct and<br />

the reflected method. The <strong>for</strong>mer is newer and appears to be<br />

coming into favor with more people every day. Its use necessitates

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