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Movies for TV - Early Television Foundation

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TITLES AND SPECIAL EFFECTS 211<br />

been executed in black letters on a light gray background. It is<br />

important that the two be in very close and constant contact;<br />

over the two and<br />

there<strong>for</strong>e, it is usual to place a piece of glass<br />

to ensure accurate focus. The combination<br />

clamp them together<br />

card is now filmed in the usual way on positive film.<br />

This results<br />

in a combined picture of the title with a thin background picture<br />

behind it. The final print is, of course, white lettering on a fainter<br />

dark picture background.<br />

Still backgrounds are often made into moving title back-<br />

grounds by the addition of the live studio camera to the film<br />

chain. If a title is of the moving variety, such as a strip or drum<br />

it may be run on the projector<br />

while a camera is trained on the<br />

studio set. At the studio control position, the video control engineer<br />

mixes the two signals so that the title appears over the back-<br />

ground of the studio action. This is often very effective, but sometimes<br />

details of the studio shot are liable to show through some<br />

of the letters and spoil the effect or even make it impossible to<br />

read. In most cases the moving background entirely on film is to<br />

be preferred.<br />

If an optical printer is available,<br />

all the effects about to be<br />

described can be per<strong>for</strong>med very easily and with much less trouble.<br />

However, it is not expected that many<br />

readers will have such a<br />

piece of equipment available since it costs about $25,000. Figure<br />

10-3 shows the Acme printer <strong>for</strong> special effects work. But even<br />

though an optical printer may not be available, most of the effects<br />

can be obtained by using the film camera as a printer. Of course,<br />

it is not quite as convenient, but nevertheless it is just as effective<br />

on the screen if done properly.<br />

For the effects and titles to be described, it will be assumed<br />

that the actual titles have already been made from one of the<br />

methods already discussed and only the means by which they are<br />

incorporated into a moving<br />

A simple way in which moving backgrounds can be combined<br />

title will be described.<br />

with titles, although the method is somewhat bulky and awk-<br />

ward, is to inscribe the title on a large sheet of clear glass about<br />

two or three feet across. Letters can be painted or stuck on the

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