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Movies for TV - Early Television Foundation

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250<br />

THE PROGRAM ANGLE<br />

and said the remainder of the original film would be shown as<br />

soon as possible. "The Shadow" reel ran out, and then a very<br />

embarrassed man came to the screen and admitted that they<br />

could not find the second part of the western ! So they used a short<br />

filler. Don't let that happen to you; there is no excuse <strong>for</strong> it, and<br />

it drives viewers away.<br />

When checking the film <strong>for</strong> television suitability, it is advisable<br />

to project it onto a screen no larger than the standard home re-<br />

ceiver size; that is about twelve by sixteen inches. A point which<br />

is sometimes overlooked when this is done is that the projector<br />

brightness should be reduced slightly to compensate <strong>for</strong> the increased<br />

brilliance with a small throw between projector and<br />

screen. Watch <strong>for</strong> too many long shots or medium long shots<br />

which will not be reproduced too clearly on television. In this con-<br />

nection it is a good idea to sit at least ten feet from the screen<br />

when making this viewing test so as to approximate as closely as<br />

possible the actual conditions. The best method of previewing<br />

does not seem to be used much because it entails tying up the<br />

film chain and sometimes bringing in a technician especially to<br />

operate equipment,<br />

at overtime rates. If this is the case at the<br />

reader's station, it might be possible <strong>for</strong> him to learn to operate<br />

the equipment or schedule the checking of films <strong>for</strong> later in the<br />

day when men are available. The use of the actual film chain is<br />

obviously the best possible method of per<strong>for</strong>ming these checks and<br />

if possible should be used.<br />

Avoid films with a lot of night or very dark scenes since the<br />

iconoscope tube suffers from the previously<br />

mentioned fault of<br />

edge flare. If there is a succession of alternate dark and light<br />

scenes, the job of the shading technician will be made much<br />

harder, and he will probably be unable to cope with the rapid<br />

adjustments<br />

of his controls. For the same reason it is well to avoid<br />

films which have fades-in or -out unless the shading man is good.<br />

The changing light during the fades makes it most difficult <strong>for</strong><br />

him to keep an even tone on the screen.<br />

What is probably the most important feature sound has<br />

been left until last. Today the chief criticism of many<br />

movies seen

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