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Movies for TV - Early Television Foundation

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LENSES 141<br />

struction book <strong>for</strong> the individual camera will indicate the neces-<br />

sary corrections to be made to maintain proper exposure.<br />

It is very seldom that one lens will cover all the different shots<br />

called <strong>for</strong> in a production; in fact, one might almost say "never."<br />

There<strong>for</strong>e, a selection of lenses is required. It is possible, of course,<br />

to have a number of lenses and merely change them by unscrew-<br />

ing after each shot. This would be very impractical and slow, as<br />

well as hard on the lenses; with the constant handling, the ele-<br />

ments might jar loose or become scratched. There<strong>for</strong>e, a lens turret<br />

is used which, as its name implies, is a rotating holder which<br />

instantly places the desired lens in front of the film-gate opening<br />

ready <strong>for</strong> filming. As many as four lenses may be accommodated<br />

on one turret, although the usual number is three; <strong>for</strong> most cases<br />

this is plenty. Four are usually provided <strong>for</strong> television cameras<br />

where the number of shots in one live show may be very great and<br />

actually require that many lenses.<br />

The Cine Special camera which is considered by many to be<br />

the backbone of the semi-professional cameraman's kit, has a<br />

two-lens turret. This makes <strong>for</strong> extremely compact design and<br />

ease of handling. Quite often when lenses are spaced very close<br />

together, they are mounted at an angle to prevent interference<br />

between them in the <strong>for</strong>m of intrusion of the unused lens in the<br />

picture.<br />

Most of the other cameras in general use <strong>for</strong> substandard work<br />

have three lenses placed on a circular turret and instantly avail-<br />

able <strong>for</strong> use. With a proper selection of three, or even two, lenses<br />

almost any normal production can be handled.<br />

The "common" or "garden" lens of all work is the 25 mm or<br />

one-inch lens, / 1.4. This focusses from one foot to infinity, and<br />

at 15 feet covers a field of 5 feet 7 inches by 4 feet 2 inches. If it<br />

is set <strong>for</strong> 18 inches, it covers a field 6% inches by 4% inches. Thus<br />

it will be seen to be quite versatile; however, at 15 feet the sub-<br />

ject is comparatively small, and <strong>for</strong> some purposes it is necessary<br />

to have a magnified view of the subject and still remain at a dis-<br />

tance. In this case a lens of a greater focal length is used. (The<br />

reason <strong>for</strong> the great popularity of the one-inch lens is the fact that

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