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Movies for TV - Early Television Foundation

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TITLES AND SPECIAL EFFECTS 213<br />

glass. The sheet is set up a few feet from the lens in front of the<br />

scene to be used <strong>for</strong> the background. Provided plenty of light is<br />

used either a good sunny day or in the studio with all the lights<br />

on a small lens-opening can be used with consequent good field<br />

depth of focus so that both the lettering<br />

and the scene will be in<br />

focus. Care must be exercised to ensure that no reflections appear<br />

on the glass to ruin the shot.<br />

This is only a makeshift method <strong>for</strong> it is "messy;" in fact, it is<br />

only included <strong>for</strong> the benefit of readers who do not have access to<br />

a camera fitted with a rewind handle. Some of the better cameras<br />

which are <strong>for</strong> somewhat specialized purposes do not have this<br />

feature, although in all other respects they<br />

reason, it is well to determine just what is expected<br />

are excellent. For this<br />

of a camera<br />

be<strong>for</strong>e buying it.<br />

The professional way to do it, is to use a camera with a rewind.<br />

Be<strong>for</strong>e shooting the background scene, the footage indicator read-<br />

ing is noted. The scene is shot ; then,<br />

the film is wound back to the<br />

same indicator reading. Incidentally, this will not result in fogging<br />

or exposing the film if there is a shutter which automatically<br />

closes the lens when the motor is not running. If not the lens must<br />

be capped during rewinding. Now the title is set up at the proper<br />

distance, focussed, and the film re-exposed. On development, it<br />

will be found that the title now appears over the moving back-<br />

ground in a very impressive manner. This method is fine when it<br />

is known in advance that this type of title will be required, but if,<br />

as often happens, it is only decided during editing, then the fol-<br />

lowing method must be used unless it is possible to go<br />

shoot at the same place again.<br />

out and<br />

If the camera used does not have a rewind feature the film<br />

can still be rewound by noting the film counter reading be<strong>for</strong>e<br />

and after shooting. Then take the camera into a perfectly dark<br />

room, open the camera, and wind the film back onto the full<br />

magazine <strong>for</strong> what is judged to be a sufficient length. The camera<br />

can then be closed and the counter examined under the light. If<br />

more film than is needed <strong>for</strong> the sequence has been rewound the<br />

camera can be run with the lens capped until the counter shows

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