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Movies for TV - Early Television Foundation

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CHOOSING FILMS FORTY 255<br />

the same way that camouflage hides a ship at sea. The set should<br />

be well illuminated so that there is good contrast with the shadows<br />

lighted to keep an even tone to the scene avoiding "blobs" of<br />

light or darkness. Since the television receiver has the inherent<br />

fault of failing to resolve small objects too clearly, unless well lit<br />

and uncluttered, important details of clothes or features should<br />

be well lighted.<br />

If possible, avoid the long shot with people in it; it is impossible<br />

to recognize them on a television screen and unless it is an<br />

establishing shot to orient the viewer it has no use normally. In<br />

the same category of shots, any rapid movements of the camera<br />

should be avoided, especially panning without a reason in the<br />

<strong>for</strong>m of a climax at the end of the pan, and rapid pans which<br />

result in slurred pictures.<br />

Titles should be economical with words and not cram too<br />

many into the small area of the frame. In these days of round<br />

screens and amplified pictures as much as 15 per cent of a picture<br />

is lost by these devices.<br />

It is better to avoid using too many spots and very "arty"<br />

lighting; this often results in "splotchy" prints unless done very<br />

carefully. Since blacks are not well handled by the television film<br />

camera, it is advisable to avoid any intense black and use dark<br />

gray instead; otherwise there may be unwanted light patches on<br />

the television screen.<br />

Composition and Common Sense This subject<br />

at length in another chapter, but a summary of highlights will not<br />

is also dealt with<br />

do any harm. Players should be arranged so that it is possible to<br />

take plenty of close shots, well in the center of the set so that the<br />

risk of losing action due to tube cut-off is minimized. If a com-<br />

mercial is being produced as a test film on the hope of selling it,<br />

it is a good idea to show the script to the sales department of the<br />

station or agency first in case there is something in it that would<br />

damn it at once as far as influencing a sponsor is concerned. Some-<br />

times a scene list, complete with frame count,<br />

service that gets results in winning goodwill.<br />

is a little extra

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