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Movies for TV - Early Television Foundation

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356<br />

THE PROGRAM ANGLE<br />

(this is sometimes harder to find in a hurry),<br />

there should not be<br />

any special problem. Of course, it may be necessary to wait <strong>for</strong> three<br />

or four days to get the right weather, and with a full cast standing<br />

hell with the shoot-<br />

by it can run into money not to mention playing<br />

ing and production schedule.<br />

Now we have mentioned just about all the things which come<br />

into the picture. Of course, there are others, but these can generally<br />

be classified under "miscellaneous." So let us return to the first topic<br />

the budget. This is usually fixed <strong>for</strong> certain productions or else<br />

supposed to cover special assignments <strong>for</strong> the production department.<br />

In any case it will always be small, and it will either be utterly<br />

too small and inadequate or it will be sufficient to do a good job.<br />

This all depends on the station manager or sponsor. The lower the<br />

film director can get and hold his budget, the more chance there is<br />

of it being approved. It is not often that a film director will be given<br />

the authority to go into film production on his own without a request<br />

from the program department, so most of his ef<strong>for</strong>ts will be <strong>for</strong> in-<br />

serts <strong>for</strong> live shows and a newsreel if one is used. This matter of<br />

filthy lucre can be left here and we will proceed to the next prob-<br />

lem.<br />

Choosing a suitable location is not always easy. The script may<br />

<strong>for</strong> the heroine to lean<br />

say merely "street corner with a lamppost<br />

against." Or it may say "the corner of 42nd and Broadway. 55<br />

either case it may be simpler <strong>for</strong> the set to be built in the studio than<br />

to use the real thing. If the set is the inside of a store at either of<br />

these locations without any traffic or street scenes, then faking the<br />

store background would probably cost less than taking a production<br />

crew. Due to the un<strong>for</strong>tunate fact that the television system does<br />

not transmit all the colors equally well and also suffers from the<br />

problem of low definition and resolving power, one-dimensional<br />

backgrounds, i.e., painted flats, are often undistinguishable from<br />

the real thing. So it is quite possible that a painted row of shelves<br />

containing cans, etc., will do as well as rows and rows of cans in a<br />

grocery store.<br />

If there is space to store the scenery and it is made in such a<br />

manner that it can be dissassembled and is of unit construction so<br />

In

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