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Movies for TV - Early Television Foundation

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252<br />

THE PROGRAM ANGLE<br />

mean that three minutes or more may<br />

have to be cut from the<br />

film under consideration. Very dark shots can be eliminated; perhaps<br />

some which are too contrasty with a large amount of white<br />

in them can be dyed and toned down by graying the whites.<br />

In choosing films, look <strong>for</strong> plenty of close-ups and simple,<br />

direct action which takes place well within the center of the screen.<br />

Today's sets, with their round and "enlarged" screens, cut off<br />

in<strong>for</strong>mation which is contained in the<br />

quite a lot of the picture<br />

corners of the screen. Naturally, in a film made especially <strong>for</strong><br />

television, the director endeavors to keep all his action in the cen-<br />

ter of the screen since he has these limitations in mind. However,<br />

most of the films that are available in the libraries were made<br />

be<strong>for</strong>e television became popular; as a result, action usually took<br />

place all over the screen and if round or enlarged screens are used<br />

some of it may be lost to the viewers.<br />

For the same reason, involved plays often confuse the home<br />

audience due to their inability to see a complete picture and thus<br />

orient the players or location. Backgrounds which are involved<br />

or blend with the players are to be avoided since, if there is the<br />

merest tendency <strong>for</strong> them to blend on a movie screen, it will be<br />

magnified many times on the television screen.<br />

A short digression here to compare the commercial aspects of<br />

television and films produced <strong>for</strong> television with movie theatres<br />

may seem out of place at first glance, but if the reader is really<br />

interested in learning more about the infant industry of television<br />

he will find it interesting and an aid to the understanding of cer-<br />

tain problems.<br />

In the United States there are approximately 18,500 movie<br />

theatres which seat about 12,000,000 people. Of this figure 66<br />

per cent, or 12,000 theatres, show advertising films to about<br />

6,000,000 people. It has been estimated that every week about<br />

40,000,000 people attend theatres showing advertising.<br />

This is<br />

quite a high figure and compares with the number of people estimated<br />

to view television in a week. However, this is a national<br />

figure since it includes large houses as well as small ones seating<br />

perhaps 300. But the audience is scattered over a much greater

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