28.03.2013 Views

Movies for TV - Early Television Foundation

Movies for TV - Early Television Foundation

Movies for TV - Early Television Foundation

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

172<br />

FUNDAMENTALS<br />

system is truly compatible. Thus no modifications are required to<br />

permit present-day monochrome sets to continue to receive pictures<br />

if owners do not wish to spend any more money on their<br />

receivers.<br />

Lighting <strong>for</strong> Color In the television studio, lighting <strong>for</strong> live<br />

color pictures has not yet been very thoroughly studied since there<br />

has been little or no demand <strong>for</strong> it. The only large scale use of<br />

color on television so far was the Smith Kline and French medical<br />

usage. In the case of operations demonstrated over this equipment,<br />

normal operating room lighting was used <strong>for</strong> the telecast. This<br />

means that the precautions required <strong>for</strong> making color films are<br />

probably not as rigidly imposed.<br />

One reason <strong>for</strong> this is the fact<br />

that the color balance is under the control of the technician at all<br />

times, and he can see exactly what each color looks like as it is<br />

transmitted. In making movies, the color values are not known<br />

until the developed reel is returned from the laboratory. Of course,<br />

certain precautions are necessary; <strong>for</strong> instance, the addition of an<br />

incandescent spot can change the color of a face or hair almost<br />

unbelievably. It is just as well not to mix lights of different Kelvins<br />

indiscriminately; otherwise colors may change as an actor walks<br />

across the set. No rules have been made yet <strong>for</strong> color television<br />

lighting <strong>for</strong> no one knows which system will be chosen and as a<br />

result it is impossible to make any suggestions which may remain<br />

valid.<br />

Lighting <strong>for</strong> color film, on the other hand, is now thoroughly<br />

understood and has been reduced to a fairly simple science. Light<br />

is described in degrees Kelvin. This is the standard of comparison,<br />

since color temperature is an exact measure of the light emission<br />

of an illuminant, and the lower the temperature of the source, the<br />

redder the light emitted. It may be defined generally as the num-<br />

ber of degrees measured on the Kelvin scale (which is zero at<br />

273) at which a black element, or body, produces light of the<br />

required color. Black is specified<br />

as the color of the element since<br />

it is assumed to have no light emission or reflection properties.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!