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Movies for TV - Early Television Foundation

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KINESCOPE RECORDING 131<br />

movies, or San Francisco. Everything not locally produced has to<br />

come in on film. Similarly, in New York, one of the first cities in<br />

the United States to have regular television programs, it is impossible<br />

to present programs from Hollywood by any other means<br />

than film recordings. Since the New York audience is pampered<br />

by seeing live shows only, either by cable or from local studios and<br />

remotes, they do not take too kindly to low-quality recordings<br />

from other regions; the difference is too obvious.<br />

The other networks, NBC, CBS, and Dumont, make use of<br />

various methods of kinescoping, but in all cases the principle is<br />

the same with individual variations. Some of these operations use<br />

double system, however, in preference to the single. Some use a<br />

ten-inch screen <strong>for</strong> recording with a whiter picture color.<br />

The Paramount intermediate film system has already been<br />

mentioned, but it may not be realized just how specialized a<br />

kinescope system it really is. It is possible to record, develop, and<br />

project a picture within sixty seconds, and the latest equipment,<br />

designed primarily <strong>for</strong> theatre work, can do it in fifteen seconds.<br />

This system uses 35 mm film exclusively. For the slower, sixty-<br />

second operation ordinary nitrate film is used, but <strong>for</strong> the high-<br />

speed, high-drying temperature system acetate base has to be used<br />

to overcome the fire hazard.<br />

In this apparatus a magazine of 12,000 feet capacity provides<br />

sufficient film <strong>for</strong> a two-hour program. Film from the magazine<br />

runs through special lightproof guides to the camera and from<br />

there to a series of developing, fixing, and washing baths. After<br />

this it is dried and either wound onto a reel or conveyed below<br />

to the projection booth and into a projector if it is to be used <strong>for</strong><br />

large screen projection. An Akely camera is used in this system.<br />

It would seem that until the quality of the recorded image<br />

improves, kinescoping has much more appeal<br />

to the isolated sta-<br />

tion than to the station which is on the coaxial line or micro-wave<br />

relay link. General reports at hand state that this is indeed the<br />

case, and while the multi-station markets are not making much<br />

use of them, single-station, off-coaxial-cable towns find kinescoping<br />

not only a God-send but also very popular <strong>for</strong> they enable

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