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Movies for TV - Early Television Foundation

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CHAPTER 17<br />

FILM COMMERCIALS<br />

Elsewhere in this book mention is made of the fact that the three<br />

minutes of commercial time in every half-hour is the sole reason<br />

<strong>for</strong> the advertiser's investment in television. Similarly in the case<br />

of ten-, twenty-, or <strong>for</strong>ty-second spots or station breaks the message<br />

that the sponsor wants to get over is the only purpose he has in<br />

buying the time and preparing his sales message.<br />

every case he wants to be as sure as humanly possible<br />

In each and<br />

that it will<br />

be telecast the way it was rehearsed to give it maximum impact<br />

on the buying public.<br />

In the case of operating products, demonstrations are usually<br />

the best means of drawing attention to good features and high-<br />

lighting comparison with competitors. But live demonstrations are<br />

not always satisfactory <strong>for</strong> various reasons. The demonstrator may<br />

not be familiar with the equipment, some external agency may<br />

fail, such as a power failure in the middle of a washing machine<br />

demonstration. There are so many things which may go wrong<br />

that even thinking about it can give a sensitive sponsor a headache.<br />

Apart from the commercial, which is, of course, the most important<br />

thing in the program, special effects or tricks are best done<br />

on film. If certainty of operation and best per<strong>for</strong>mance are re-<br />

quired, then film is the only medium which can guarantee it as far<br />

as mechanical perfection is concerned. Of course, in this statement<br />

we include slides, which, although static, are also capable of error<br />

as far as the limit of human care is concerned.<br />

only<br />

Be<strong>for</strong>e film <strong>for</strong> both commercial and program use can really<br />

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