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Movies for TV - Early Television Foundation

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PROCESSING NEWSREEL SCRIPTS 297<br />

: Story Air Crash<br />

Scene Scene<br />

Description No. Feet<br />

Plane approaching field 1 9<br />

Shot along runway 2 18<br />

Time<br />

Time Total<br />

(in seconds) (in seconds)<br />

15 15<br />

30 45<br />

Long shot, wheel collapse<br />

Long shot, fire trucks<br />

3 6<br />

10 55<br />

going out 4 6 10 65<br />

easy means of converting to time. For accurate synchronization of<br />

picture and sound, or work print and negative, a film measurer<br />

incorporating an additional dial calibrated in frames,<br />

a length can be expressed as 16 feet, 33 frames, etc. No illustra-<br />

is used. Thus<br />

tions or examples of typical editing and timing sheets have been<br />

included since many individuals prefer to make their own.<br />

The point that so many producers and writers fail to realize<br />

is that the medium is television; that means the pictures should<br />

tell the story. So if you have good pictures which really do a good<br />

telling job, hold the narration and let the pictures tell the story.<br />

When there is writing to be done it should be timed at the rate of<br />

approximately four seconds per line of 68 characters or typewriter<br />

strokes. One way of writing is to set up 68 strokes on the margins<br />

by setting the left to 10 and the right to 78. Of course, there are<br />

countless other ways of arriving at a count of 68, and it doesn't<br />

matter how it is done. But it must be remembered that every stroke<br />

of the typewriter counts, and that means spaces as well as punctuation<br />

marks. So in the table we have above <strong>for</strong> the imaginary news-<br />

reel, the maximum lines of 68 points would be <strong>for</strong> each scene:<br />

Scene number 1 15 sees 3.75 lines<br />

2 30 sees 7.5 lines<br />

3 & 4 10 sees 2.5 lines<br />

Just because all that time is available does not mean it has to<br />

be used. If the picture does not need words, don't use them. The<br />

story should be simple and avoid long<br />

they<br />

or unfamiliar words since<br />

distract the listeners' attention as well as lend themselves to<br />

loss in transmission due to inadequate sound systems.

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