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Movies for TV - Early Television Foundation

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W FUNDAMENTALS<br />

There is no apparent change in the emulsion, but on being im-<br />

mersed in a developer, an image or picture is produced. This is in<br />

a negative <strong>for</strong>m in which the objects which were black in the<br />

original are white, and those which were white are black. More<br />

light is reflected from the light-colored sections of the scene and,<br />

there<strong>for</strong>e, more chemical action takes place in the corresponding<br />

section of the film. When this is developed, silver is deposited in<br />

the dark areas, and in the lighter areas where there was no light,<br />

the undeposited silver is washed away.<br />

Be<strong>for</strong>e the film so made can be used, it is necessary to reverse it,<br />

thus making a positive<br />

which has the same colors and shades of<br />

light as the original. This can be done in two ways. One method is<br />

by direct reversal in which the film which was in the camera, known<br />

as a reversal film, is chemically treated a second time. This treat-<br />

ment literally reverses the colors of the film, and parts which were<br />

white become black, and those which were black become white.<br />

The film then has the same color-shade values as the original scene,<br />

and is known as a direct-reversal positive. In the other, and more<br />

onto another<br />

generally used system, the negative is photographed<br />

film. In exactly the same manner in which the color values were<br />

reversed when the negative was made, so are the colors again re-<br />

versed on the second film. By virture of this double reversing, the<br />

second film becomes a positive which is then used <strong>for</strong> projection or<br />

televising. It will be seen that the <strong>for</strong>mer method suffers from the<br />

drawback that only one film exists, and if anything happens to it<br />

there is no way of replacing it.<br />

There are many different types of film stock available. The<br />

various manufacturers have their own trade names <strong>for</strong> them, but<br />

film emulsions fall into certain well-defined categories. Negative<br />

and positive stocks have already been mentioned. In this case, the<br />

difference in the raw (unexposed) film is in the speed and fineness<br />

of grain. Emulsion speed is the main difference between the differ-<br />

ent types. By emulsion speed is meant the sensitivity of the emulsion<br />

to light and the speed with which a picture is <strong>for</strong>med on the film.<br />

Modern chemistry has achieved a great deal in preparing fast emul-<br />

sions, but un<strong>for</strong>tunately as the speed of the film increases another

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