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Movies for TV - Early Television Foundation

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240<br />

FUNDAMENTALS<br />

Fig. 11-4. (A) Monotony caused by even spacing and similar<br />

positioning of characters. (B) Variety in spacing produces interest<br />

and prevents monotony.<br />

ing has been written, the players cast and rehearsed, scenery and<br />

properties<br />

and costumes on hand. It is not usual <strong>for</strong> the scenes to<br />

be filmed in chronological order; it depends on the availability of<br />

sets, the number of times each set appears in the film, and the<br />

lighting<br />

conditions if taken out of doors on location. In this case<br />

it is known that the first and last scenes take place here, so they<br />

can be shot now, and then the set can be struck.<br />

The producer has timed his scenes approximately, and the<br />

total running time is to be <strong>for</strong>ty seconds. This breaks down as<br />

follows :<br />

SCENE 1 . Long<br />

shot of living room, with door to left. On<br />

walls many odd native weapons, over sofa an<br />

ugly club with a number of knife blades in it.<br />

Man and wife talking on sofa, which is on right<br />

center. Very slow dolly-in, door opens and man<br />

enters, obviously not expecting husband to be<br />

there. Hesitates, but on invitation from husband<br />

comes over and sits down on left end of<br />

sofa. Hold camera on three-shot. 15 seconds<br />

Conversation between the three, obviously<br />

causing unease to wife and lover. Camera<br />

comes in <strong>for</strong> two-shot of wife and man, tilts a<br />

little to bring in part of club. 75 seconds<br />

Conversation continues as camera tilts and<br />

closes up to club. FADE 10 .seconds<br />

Total time 40 seconds

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