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Movies for TV - Early Television Foundation

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48<br />

FUNDAMENTALS<br />

isfactory <strong>for</strong> they have a habit of running down at crucial<br />

moments : the spring is not powerful enough to expose a full magazine<br />

on one winding; the speed varies despite the provision of a<br />

governor which helps to maintain a constant speed, and <strong>for</strong> lip<br />

sync work it is obviously utterly useless because it will not lock<br />

in with the sound recorder.<br />

In spite of the imposing list of reasons why spring<br />

drives are<br />

no good, they are used a great deal and are invaluable, provided<br />

the limitations mentioned above are kept in mind and they are<br />

used <strong>for</strong> the purposes <strong>for</strong> which they are best suited. Newsreel<br />

cameramen working away from sources of power, photographers<br />

who must carry a minimum of weight, brief clips of film which<br />

are known in advance to be short, such as single-frame work <strong>for</strong><br />

animation, can all make use of a spring motor. Since most shots<br />

should run at least seven seconds, it is normally possible to get<br />

two shots or a single, longer shot on one winding without any<br />

danger. It is always advisable to rewind the motor between each<br />

shot if possible, <strong>for</strong> in this manner the speed remains more con-<br />

stant through the length of the exposure.<br />

Electric motor drives are made in three general <strong>for</strong>ms,<br />

although there are, of course, variations in each class of motor<br />

drive. The first type is the synchronous motor which operates<br />

on 110 volts, alternating current, 60 cycles only (or other fre-<br />

quencies to special order), with a constant speed<br />

of 24 frames a<br />

second only. This motor is used <strong>for</strong> all types of production in general<br />

and in particular <strong>for</strong> lip sync filming, where the picture film must<br />

run with an unvarying speed at all times. The second kind is the<br />

"wild" motor which operates from 110 volts of alternating current<br />

or direct current. This is a series-wound motor and the speed can<br />

be adjusted within very wide limits: it is used <strong>for</strong> any kind of<br />

work where sound does not have to be synchronized with the pic-<br />

tures. The last category includes the 12-volt or other low-voltage<br />

motor which operates from batteries either storage or dry<br />

batteries strapped around the waist of the operator. The battery-<br />

operated cameras are used in much the same way as the springdriven<br />

types except that they are capable of exposing many

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