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Movies for TV - Early Television Foundation

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170<br />

FUNDAMENTALS<br />

The functioning of the circuit is extraordinarily ingenious and<br />

provided that a number of serious physical difficulties can be over-<br />

So far re-<br />

come it may offer a practical solution to the problem.<br />

sults have been rather unsatisfactory compared with colored mo-<br />

tion pictures.<br />

Time multiplex transmission is used with a band-width of four<br />

MC <strong>for</strong> full modulation. The color camera at the transmitting<br />

end produces three signals, green, red, and blue. These signals<br />

are sampled electronically in rapid sequence, combined, and<br />

broadcast as a single signal.<br />

At the receiver, separation is per<strong>for</strong>med, so that the signal<br />

representing each color goes to an electron tube which produces a<br />

picture in that particular color. The green, red, and blue signals<br />

are applied to their individual kinescopes. The three colors are<br />

then projected simultaneously and produce the complete picture.<br />

One of the fundamental characteristics of the system is the<br />

application of time multiplex transmission, which has been<br />

adopted and applied to television from radio telegraphy. Other<br />

innovations are the electronic sampler and picture dot interlacing.<br />

The electronic sampler has to function with microsecond pre-<br />

cision in sampling the colors. From the sampler the signals, representing<br />

the three primary colors, are fed to an electronic combin-<br />

ing device. Standard synchronizing signals from the synchronizing<br />

generator are also applied at this point, and the principle of mixed<br />

high frequencies<br />

is also utilized.<br />

Each color is sampled 3,800,000 times a second <strong>for</strong> the three<br />

colors a total of 1 1 ,400,000 samples a second. The green signal is<br />

sampled<br />

and less than nine hundred-millionths of a second later<br />

the red is sampled, and then the blue. This means that the signals<br />

of each color are transmitted at an approximate rate of one every<br />

four-millionth of a second. When viewed on the screen of a re-<br />

ceiver, the recurrence of the signal is so rapid that the color appears<br />

to be constant.<br />

The three color signals from the camera are combined in an<br />

electronic adder and then passed through a band-pass filter. The<br />

output of this filter contains frequencies between two and four

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