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Movies for TV - Early Television Foundation

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CUT TO<br />

USINGFILMSON<strong>TV</strong> 273<br />

Set 6. Middle shot from train side, hero just getting<br />

through gates as they are closed. Hold focus as pursuers<br />

run up and try to argue way through to train.<br />

Close-up of expressions of anger as "All aboard"<br />

and train starting sounds heard. 18 seconds<br />

CUT TO LIVE ACTION<br />

None of this insert has dialogue, but it does have sound-over;<br />

that is, background sounds are dubbed in after the film has been<br />

shot and edited. All the sounds required can be obtained from sound<br />

effects records or manufactured in the studio. For the sake of con-<br />

venience and reduction of possible human errors in operation, it is<br />

to record the sound on the film after it has been edited.<br />

preferable<br />

Of course, an acetate disc could be cut or the sound could be re-<br />

corded on tape or wire, but each of these systems has the disad-<br />

vantage that it is an additional operation which could go wrong.<br />

It costs more to make a sound film, but not very much, and in the<br />

opinion of the author it is worth every penny of it in peace of mind<br />

and the knowledge that there is one less thing to go wrong. After the<br />

work print has been edited and the negative cut to con<strong>for</strong>m with it,<br />

a sound film track can be shot by projecting the final work print,<br />

making the sounds to be dubbed in, and recording them on a<br />

separate sound film. This sound film is then printed in contact with<br />

the picture print negative and the result is a sound-over positive<br />

with all the sounds on it. If there had been dialogue, the cost <strong>for</strong> ac-<br />

curate synchronizing would have been considerably greater and the<br />

importance of the sequence might not have justified it. In that case,<br />

after a lot of practice on the part of the cast in timing their dialogue,<br />

a tape recording could probably be made which could be cued in<br />

at the proper time and provide lip sync sound.<br />

The operation described above comes under the title of "Shoot-<br />

ing on Location" or, more briefly, "On Location." There are a<br />

number of pitfalls <strong>for</strong> the unwary even in this comparatively simple<br />

task. Be<strong>for</strong>e even planning the operation, it is essential to ascertain<br />

that permission can be obtained from the owner of the property to<br />

take films there. This is most important, <strong>for</strong> if it should be neglected

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