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Movies for TV - Early Television Foundation

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COLOR 169<br />

mitted. The system is sequential in that only one color at a time<br />

is presented. Persistence of vision and screen afterglow cause the<br />

colors to combine and produce the various shades.<br />

Color <strong>Television</strong>, Inc. This system shows promise but as yet<br />

is an unknown factor in the color stakes. Theoretically, it is cap-<br />

able of excellent results. In essence, the main features of the system<br />

are the use of stationary filters in conjunction with a three-lens<br />

optical system at the camera and receiver. At the receiver, superposing<br />

lenses are used to register three images, each through a<br />

different primary color on the screen of a single cathode-ray projection<br />

tube onto a projection screen. Standard black and white<br />

equipment is modified in one major respect the horizontal scan-<br />

ning frequency is only one-third of the normal frequency, since<br />

each scanning line traverses three edge to edge fields in succession.<br />

Such a change is a simple one. Three equi-spaced synchronizing<br />

pulses are applied during the interval of one horizontal scan, ar-<br />

ranged to lock into operation so that each color is flashed at the<br />

correct time, and the pictures will show up as black and white<br />

views on an ordinary receiver without difficulties. Horizontal<br />

linearity must be precisely attained.<br />

The camera system consists of a standard black and white<br />

single image orthicon camera with a multiple image lens and filter<br />

system. Three optical images are focussed side by side and scanned<br />

as though they were a single image. The video signals generated<br />

are transmitted in the normal manner to standard black<br />

and white amplifier and mixing equipment. Standard black and<br />

white, line, frame, and super-synchronizing pulses, are used to<br />

control the system. The colored pictures are reproduced from 525<br />

line images in each filter color, with 10 color pictures per second<br />

and 60 color interlaced fields per second.<br />

Radio Corporation of America This system utilizes the full<br />

width of the television transmission band and puts out a signal of<br />

525 lines, the same as the present black and white transmission.<br />

This means that the theoretical quality is of a very high order.

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