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John ison
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CARL GENTRY OEHLER PROFESSIONAL PHO
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THE MACMILLAN COMPANY NEW YORK . CH
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Copyright, 1950, by The Macmillan C
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INTRODUCTION Television and the man
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INTRODUCTION ix since many subjects
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CHAPTER 1 CHAPTER 2 CONTENTS PART O
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CHAPTER 11 CHAPTER 12 CHAPTER 13 CH
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CHAPTER 20 CHAPTER 21 CHAPTER 22 SC
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CHAPTER 1 PRINCIPLES OF MOVIES WHAT
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PRINCIPLES OF MOVIES 5 perforations
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PRINCIPLES OF MOVIES 7 time ago, be
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PRINCIPLES OF MOVIES p are the crys
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change occurs. The grain PRINCIPLES
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PRINCIPLES OF MOVIES 13 changing fi
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PRINCIPLES OF MOVIES 75 Fig. 1-3. H
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PRINCIPLES OF MOVIES 77 expressed a
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PRINCIPLES OF MOVIES 19 It is used
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PRINCIPLES OF MOVIES 21 dub-in The
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PRINCIPLES OF MOVIES 23 floor manag
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PRINCIPLES OF MOVIES 25 to reduce t
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PRINCIPLES OF MOVIES 27 modelling l
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PRINCIPLES OF MOVIES 29 left to rig
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PRINCIPLES OF MOVIES 31 ture over a
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CHAPTER PRINCIPLES OF TV Before pro
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PRINCIPLES OF TV 35 photocell intel
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PRINCIPLES OF TV 37 48 flashes per
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PRINCIPLES OF TV 39 most important,
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PRINCIPLES OF TV 41 method is bette
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PRINCIPLES OF TV 43 good. Unfortuna
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PRINCIPLES OF TV 45 Figure 2-1. Typ
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1 a I an CHAPTER MOVIE-MAKING EQUIP
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! MOVIE-MAKING EQUIPMENT 49 hundred
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j cased MOVIE-MAKING EQUIPMENT 51 F
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MOVIE-MAKING EQUIPMENT 53 Fig. 3-3.
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MOVIE-MAKING EQUIPMENT 55 the batte
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MOVIE-MAKING EQUIPMENT 57 (Courtesy
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MOVIE-MAKING EQUIPMENT 59 Fig. 3-8.
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MOVIE-MAKING EQUIPMENT 61 Fig. 3-9.
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MOVIE-MAKING EQUIPMENT 63 up to 999
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MOVIE-MAKING EQUIPMENT 65 Fig. 3-12
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MOVIE-MAKING EQUIPMENT 67 point on
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MOVIE. MAKING EQUIPMENT 69 Sound Re
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MOVIE-MAKING EQUIPMENT 71 sound mod
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MOVIE-MAKING EQUIPMENT 73 Single Sy
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larger crew required, MOVIE-MAKING
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MOVIE-MAKING EQUIPMENT 77 Fig. 3-15
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MOVIE-MAKING EQUIPMENT 79 Fig. 3-17
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MOVIE- MAKING EQUIPMENT 81 Sound, o
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MOVIE-MAKING EQUIPMENT 83 electrici
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MOVIE-MAKING EQUIPMENT Reversal Plu
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MOVIE-MAKING EQUIPMENT 87 Care of F
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MOVIE-MAKING EQUIPMENT 89 This defe
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MOVIE-MAKING EQUIPMENT 91 Fig. 3-18
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MOVIE-MAKING EQUIPMENT 93 posed, th
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FILM TRANSMISSION EQUIPMENT 95 "mai
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FILM TRANSMISSION EQUIPMENT 97 in s
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FILM TRANSMISSION EQUIPMENT 99 ther
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FILM TRANSMISSION EQUIPMENT Wl GE a
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FILM TRANSMISSION EQUIPMENT l/12Sec
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FILM TRANSMISSION EQUIPMENT 105 Fig
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I working FILM TRANSMISSION EQUIPME
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FILM TRANSMISSION EQUIPMENT 109 tro
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FILM TRANSMISSION EQUIPMENT 111
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FILM TRANSMISSION EQUIPMENT 113 a m
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FILM TRANSMISSION EQUIPMENT 115 the
- Page 137 and 138: FILM TRANSMISSION EQUIPMENT 117 Fig
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- Page 141 and 142: FILM TRANSMISSION EQUIPMENT 121 dif
- Page 143 and 144: KINESCOPE RECORDING 123 New York ti
- Page 145 and 146: KINESCOPE RECORDING 725 characters
- Page 147 and 148: KINESCOPE RECORDING 127 situation w
- Page 149 and 150: KINESCOPE RECORDING 129 the mechani
- Page 151 and 152: KINESCOPE RECORDING 131 movies, or
- Page 153 and 154: CHAPTER LENSES 'n this chapter the
- Page 155 and 156: LENSES 135 old one. There is not mu
- Page 157 and 158: f LENSES 137 In addition the older
- Page 159 and 160: ing. 1 LENSES 139 This has a number
- Page 161 and 162: LENSES 141 struction book for the i
- Page 163 and 164: LENSES 143 duces some spherical abe
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- Page 167 and 168: CHAPTER 7 LIGHTING If the technical
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- Page 173 and 174: (From Alton, Painting \vith Light.
- Page 175 and 176: LIGHTING 755 to make the exposure,
- Page 177 and 178: LIGHTING 757 tion equally well with
- Page 179 and 180: LIGHTING 159 job; the set was flood
- Page 181 and 182: LIGHTING 161 Fig. 7-2. Lighting equ
- Page 183 and 184: LIGHTING 163 In setting up stage li
- Page 185 and 186: LIGHTING 165 employment of a meter
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- Page 191 and 192: megacycles, COLOR 777 with contribu
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- Page 199 and 200: CHAPTER EDITING AND CONTINUITY ossi
- Page 201 and 202: EDITING AND CONTINUITY 181 Some of
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- Page 207 and 208: EDITING AND CONTINUITY 187 simple d
- Page 209 and 210: EDITING AND CONTINUITY 189 For this
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- Page 213 and 214: EDITING AND CONTINUITY 193 Fig. 9-4
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- Page 219 and 220: CHAPTER 10 TITLES AND SPECIAL EFFEC
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- Page 223 and 224: TITLES AND SPECIAL EFFECTS 203 sile
- Page 225 and 226: TITLES AND SPECIAL EFFECTS 205 Fig.
- Page 227 and 228: TITLES AND SPECIAL EFFECTS 207 long
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TITLES AND SPECIAL EFFECTS 219 the
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TITLES AND SPECIAL EFFECTS 221 opti
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TITLES AND SPECIAL EFFECTS 223 the
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TITLES AND SPECIAL EFFECTS 225 read
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CHAPTER 11 MAKING FILMS FOR TV Up t
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MAKING FILMS FORTY 229 many feet aw
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MAKINGFILMSFORTV 257 holes in the h
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MAKINGFILMSFORTV 233 appear in the
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f MAKINGFILMSFORTV 235 color combin
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MAKINGFILMSFORTV 237 a special 12-v
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MAKINGFILMSFORTV 239 produce only a
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MAKINGFILMSFORTV 241 Chalk marks ar
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PART TWO THE PROGRAM ANGLE
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246 THE PROGRAM ANGLE delegated to
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248 THE PROGRAM ANGLE stages, scene
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250 THE PROGRAM ANGLE and said the
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252 THE PROGRAM ANGLE mean that thr
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254 THE PROGRAM ANGLE staff might f
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256 THE PROGRAM ANGLE If the film i
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258 THE PROGRAM ANGLE rent for from
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260 THE PROGRAM ANGLE does is to ma
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262 THE PROGRAM ANGLE Camera #1. Pa
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264 THE PROGRAM ANGLE Different sho
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266 THE PROGRAM ANGLE arches or Mos
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268 THE PROGRAM ANGLE For this reas
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270 THE PROGRAM ANGLE producer cann
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272 THE PROGRAM ANGLE tion. This ca
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274 THE PROGRAM ANGLE and the film
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276 THE PROGRAM ANGLE in the studio
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278 THE PROGRAM ANGLE of scene. Or
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280 THE PROGRAM ANGLE chocolate and
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282 THE PROGRAM ANGLE will be the r
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284 THE PROGRAM ANGLE film, or pays
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286 THE PROGRAM ANGLE vision newsre
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288 THE PROGRAM ANGLE unusual, it w
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290 THE PROGRAM ANGLE Fig. 15-1 The
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292 THE PROGRAM ANGLE in darkness,
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294 THE PROGRAM ANGLE Suppose we ar
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CHAPTER 16 PROCESSING NEWSREEL SCRI
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298 THE PROGRAM ANGLE CONVERSION TA
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300 THE PROGRAM ANGLE to someone wi
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302 THE PROGRAM ANGLE come into gen
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304 THE PROGRAM ANGLE is quite natu
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306 THE PROGRAM ANGLE write under w
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308 THE PROGRAM ANGLE they were mad
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310 THE PROGRAM ANGLE carefully man
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312 THE PROGRAM ANGLE picked up the
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314 THE PROGRAM ANGLE cial to sell
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316 THE PROGRAM ANGLE For a straigh
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318 THE PROGRAM ANGLE commercial wh
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320 THE PROGRAM ANGLE in which the
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322 THE PROGRAM ANGLE repetitious n
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324 THE PROGRAM ANGLE have not been
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326 THE PROGRAM ANGLE of the medium
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CHAPTER 19 USE OF KINESCOPE RECORDI
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330 THE PROGRAM ANGLE TELEVISIONNET
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332 THE PROGRAM ANGLE film. Now the
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334 THE PROGRAM ANGLE Paramount has
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336 THE PROGRAM ANGLE Closed-circui
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338 THE PROGRAM ANGLE within the ne
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340 THE PROGRAM ANGLE mind that the
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342 THE PROGRAM ANGLE covers the fi
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344 THE PROGRAM ANGLE add a little
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346 THE PROGRAM ANGLE sound effects
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348 THE PROGRAM ANGLE are used very
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350 .5
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552 THE PROGRAM ANGLE stores which
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CHAPTER 21 STUDIO OR LOCATION SHOOT
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356 THE PROGRAM ANGLE (this is some
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358 THE PROGRAM ANGLE sees around N
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360 THE PROGRAM ANGLE was a good ba
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362 THE PROGRAM ANGLE for ordinary
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364 THE PROGRAM ANGLE releases. It
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366 THE PROGRAM ANGLE have afforded
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368 THE PROGRAM ANGLE shots of the
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INDEX Academy leader, 109, 256 Accu
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Film, producer, 180 recording, 328
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Perspective, 143, 267 Petty cash, 3
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5. .9 = *.I * "O c>l O* O _S .E I -