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Movies for TV - Early Television Foundation

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58<br />

FUNDAMENTALS<br />

Focussing is done by sliding over racking over is the usual<br />

term the whole of the camera body and leaving the shooting<br />

lens in position. This places a view-finder tube behind the lens and<br />

the is subject focussed through the actual lens to be used <strong>for</strong> the<br />

The camera is then racked back and the scene shot. This<br />

shooting.<br />

does not provide a view of the actual scene "seen" by the lens<br />

during filming, but because the focus has been set and the view<br />

finder is capable of allowing <strong>for</strong> framing effects, it is entirely sat-<br />

isfactory. Even <strong>for</strong> shots of characters approaching the camera,<br />

it is usually possible to keep them in focus up a certain point ac-<br />

cording to the lens aperture used.<br />

In addition to the electric motor drive, spring or hand drive<br />

can be used if desired. For sound work, a blimp is necessary to<br />

deaden the sound of the camera. Veeder-Root film footage<br />

Counters are standard, as they are on most cameras. There is no<br />

provision <strong>for</strong> single-frame exposure, nor is a dissolving shutter<br />

provided; thus the number of effects which can be produced on<br />

this camera is limited. Since it is designed more <strong>for</strong> serious film<br />

production purposes rather than trick and effects films, however,<br />

it is not very important. For making high-grade films which do<br />

not require special effects made during filming, it is excellent.<br />

The "70" Series cameras are really the <strong>for</strong>erunners of the<br />

Specialist, and most of them incorporate features that the latter<br />

does not have. In other words, some of them are designed <strong>for</strong><br />

special work: one in particular is <strong>for</strong> slow motion runs at high<br />

speeds.<br />

The Cine Special This camera, made by Eastman Kodak, is<br />

probably the most used in the whole of the television and semiprofessional<br />

fields. It has been on the market longer than this<br />

writer can remember and has always been a quality product.<br />

Figure 3-8 shows its appearance with vhe 200-foot magazine, or<br />

film chamber as the makers call it, in place. The camera in the<br />

standard condition will hold 100 feet of film within its body. In<br />

this case, it is rectangular in shape and the sloping rear and top<br />

are absent.

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