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Movies for TV - Early Television Foundation

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WHAT MAKES GOOD COMMERCIALS 323<br />

erly tied in with it so that both the picture<br />

and the announcer<br />

are talking about the same thing at the same time. Otherwise,<br />

the special offer which is perhaps the high point of the whole thing<br />

is not shown in the picture and the announcer is not listened to,<br />

so that the ef<strong>for</strong>t is a failure.<br />

While it is impossible to lay down any rules <strong>for</strong> the production<br />

of commercials since not only is the art so young but every agency<br />

and producer has different ideas and who is to say one is wrong<br />

there are some angles which it pays to watch and apply as a<br />

kind of yardstick to the production in which one is interested.<br />

The rest of this book could be filled with advice like this, but the<br />

five following sum up the situation quite well.<br />

One really important, significant production is more impressive<br />

and remembrance-making than a lot of small squibs which<br />

fizzle without a good BANG!<br />

The television receiver owner invites your program and salesman<br />

into his house. Behave like a guest, and while showman-<br />

ship is the real way of selling, let it be controlled showmanship,<br />

not an insult to your hosts 5<br />

intelligence.<br />

Good taste and good manners go together. That means no off-<br />

color jokes or double talk especially if children can hear it.<br />

Since children are always around that means never.<br />

Demonstrations are the things which sell either in person or on<br />

the television screen. If it can't be demonstrated very few fall<br />

in that category since animation can always be used at least<br />

dress it up so that it seems to have life. Never use still pictures.<br />

Don't talk too much; follow Mr. Topps' advice "Don't talk,<br />

chum ... !" Let the picture do the selling. If there is an item<br />

that cannot be covered satisfactorily in the picture due to<br />

camera limitations, etc., then and only then use words to talk<br />

about it. If you must talk do as little as possible. Remember it's<br />

teleVISION.<br />

The length of the commercial depends on a number of things as<br />

has b^en shown, but so far the different types of spot annoucements

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