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Movies for TV - Early Television Foundation

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288<br />

THE PROGRAM ANGLE<br />

unusual, it will hit the national papers and good footage can prob-<br />

ably be sold ; charity drives are always good <strong>for</strong> publicity especially<br />

if tied in with veterans in some way.<br />

One of the most important if not the most important<br />

things in newsreel work, apart from film quality, of course, is<br />

accuracy. Names MUST be spelled properly, titles given correctly,<br />

and personalities treated with respect. Facts must be given a<br />

meaning and be right, as must the actual identification of places.<br />

This means that positive identification must be made at the time<br />

the film is exposed and accurate notes taken on the occasion, since<br />

the writer of the commentary will need these <strong>for</strong> his script. Some-<br />

times research is needed to trace back an event and tie it in with<br />

<strong>for</strong>mer news stories. In this case the New York Times, World Al-<br />

manac, or Chicago News are about the best sources. Generally<br />

speaking, small station operation will not demand a great deal of<br />

research, and those subjects which do will generally be local personalities<br />

so that local papers will probably have all the in<strong>for</strong>ma-<br />

tion required.<br />

The question whether to shoot silent or sound is sure to crop<br />

up sooner or later, so we may as well settle it now. Almost every<br />

newsreel film is shot silent, that is at least 90 per cent of them.<br />

Most functions and events do not require either synchronized<br />

sound or sound that is recorded at the location. The only time<br />

that lip sync sound is required is <strong>for</strong> interviews or events where<br />

the mayor or some other public person is appealing <strong>for</strong> something<br />

such as money or re-election. Then, of course, sound must be<br />

used and it must be synchronized. On all other occasions sound<br />

is not only not necessary, but is also expensive and, strangely<br />

enough, it is not as satisfactory<br />

to record the actual sounds as it<br />

is to fake and dub them in, in the laboratory. Everyone is familiar<br />

with the sound effects man used in movies and sound broadcasting.<br />

He never uses the real thing to produce film sound. For a large<br />

explosion he uses a .38 revolver fired in a barrel blank, of course.<br />

It sounds like 100 pounds of dynamite blowing up a building.<br />

Airplane motors are produced by rotating small wheels with<br />

strips of leather on them very rapidly on an electric motor. It

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