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Movies for TV - Early Television Foundation

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90<br />

FUNDAMENTALS<br />

periodically to prevent the acquisition of curl through being<br />

wound tightly on cores or small reels.<br />

Whatever the cause of focus drift it should be watched <strong>for</strong> by<br />

the projectionist and corrected as necessary. The practice of some<br />

operators of lacing a projector, switching it on, and <strong>for</strong>getting it<br />

until time <strong>for</strong> change-over cannot be too strongly deplored. It is<br />

people like these, maintaining a consistently low standard of operation,<br />

who give both television and movies in some of the smaller<br />

houses, a bad name.<br />

Fluttering, or unsteady images on the screen, is due to buckled<br />

film. The intense heat to which the film is exposed causes it to<br />

shrink, and because the edges of the film are the only parts in<br />

contact with the projector they absorb more heat than does the<br />

frame area which has only momentary flashes of light and heat on<br />

it. Consequently, the excess shrinkage of the <strong>for</strong>mer pushes the<br />

frame out of shape and results in buckling, with its attendant<br />

fluttering in and out of focus of the screen image.<br />

It is possible to restore short lengths of buckled film. Nitratebase<br />

film is more likely to suffer from this trouble than the 1 6 mm<br />

safety film used in television, although of course the 35 mm<br />

projectors used in some stations may use either nitrate- or acetatebase<br />

film. However, <strong>TV</strong> stations will probably not suffer exten-<br />

sively from this trouble <strong>for</strong> the lower heat developed by the tele-<br />

vision projectors since they require less light does not have<br />

much effect on the film. Un<strong>for</strong>tunately many of the release prints<br />

in circulation on this circuit have been made from old negatives,<br />

or even from old positives in the case of <strong>for</strong>eign films where only<br />

positives are available. The 16 mm print made under these conditions<br />

will, of course, have the same flaws as the original. Some-<br />

times the 35 mm print supplied to the station will be in such poor<br />

condition that it is buckled and curled.<br />

To restore nitrate film it is wound emulsion side out, and<br />

placed in a humidifier film can with an absorbent blotter which<br />

has been impregnated with camphor and lightly moistened with<br />

water and glycerine to maintain the moisture content. It is left in<br />

this atmosphere <strong>for</strong> one or two weeks. Absorbent material can be

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