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Movies for TV - Early Television Foundation

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TITLES AND SPECIAL EFFECTS 209<br />

at the beginning of the program. If the attention of the audience<br />

can be captured then, and the contents are good enough, the<br />

Hooper' phone girl will add another point to the Hooper when<br />

she calls during the program. But if the introduction is not in-<br />

teresting, who can blame the viewers <strong>for</strong> tuning to the wrestling?<br />

Most backgrounds involve double exposures and a certain<br />

amount of work, but to start with, only simple single exposure<br />

shots will be considered, the background interest being confined<br />

to the texture and composition of the material.<br />

As television progresses, it will take more from the experience<br />

of the movies and learn to dress up its productions to the Hollywood<br />

level. Let it be added at once to prevent any charges of<br />

self-contradiction that this is not intended to be a call <strong>for</strong> the<br />

massive productions and tremendous expenses of Hollywood in<br />

productions, but merely<br />

<strong>for</strong> more finished work in the small de-<br />

tails that go to make the difference between a fair show and an<br />

excellent production. Titles are a case in point.<br />

A plain card can be used as we have shown. This is easy and<br />

lacks window dressing. Color, of course, is out <strong>for</strong> television, since<br />

on a monochrome system there is no advantage to be gained by<br />

its use, and it will be some time be<strong>for</strong>e color television is much<br />

used. There are any number of interesting materials which can<br />

be used with the title written or printed directly on them. Wall-<br />

paper offers tremendous variety of scenes. Burlap or sacking takes<br />

ink well and has an interesting texture <strong>for</strong> a travel film or native<br />

story. Highly grained wood will show well and simulated wood<br />

grain can be obtained on cardboard. Impressionistic titles can<br />

be made by painting shadows and designs on cards. Or an air-<br />

brush can be used to <strong>for</strong>m finer, lighter details and build up a<br />

world of fantasy.<br />

The limit to backgrounds and materials which may<br />

be used<br />

is only in the imagination of the producer. For instance, if the title<br />

card background scene is placed horizontally the letters in cut-<br />

out <strong>for</strong>m placed over it, and chalk or flour sprinkled over them,<br />

removing the letters will leave softly rounded impressions<br />

and an<br />

interesting background. This type of title is eminently suitable <strong>for</strong>

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