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Movies for TV - Early Television Foundation

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COPYRIGHT AND RELEASES 365<br />

time to establish any particular method of handling the various as-<br />

pects. Leave these matters to your attorneys; that is what they are<br />

paid <strong>for</strong> and follow their advice. A case may seem to the layman to<br />

be very similar, or even the same as his, but there may be a hidden<br />

hooker in it which renders all previous decisions on comparable<br />

issues inoperative in this one. If he fails to get legal advice or ignores<br />

it, that slight difference may cost him his job or his <strong>for</strong>tune, de-<br />

pending on his position.<br />

It is only good business to get the release contract drawn up and<br />

signed be<strong>for</strong>e the production goes into rehearsal. Sometimes it hap-<br />

pens that this has not been done, with the result that many precious<br />

days and dollars were tied up while the legal departments hunted<br />

<strong>for</strong> someone to give a release. There have been cases, where even<br />

after a very thorough search had been made and someone located<br />

who was presumed to be in position to grant permission, a suit en-<br />

sued because the granter did not really hold those rights, and a<br />

It is<br />

person with prior rights appeared and claimed infringement.<br />

sometimes possible to show in cases like that that a conscientious<br />

ef<strong>for</strong>t to make an honest deal has been made by the scope of the<br />

attorney's<br />

search. The courts will sometimes consider this in de-<br />

termining the verdict and amount of damages.<br />

As many people have discovered to their discom<strong>for</strong>t there may<br />

still be trouble even after a release has been obtained. In one case<br />

it concerned an old movie, which was released by the distributor <strong>for</strong><br />

<strong>TV</strong> use. Shortly after it was televised the producer turned up and<br />

insisted that he held the only television rights to it and demanded<br />

substantial damages. However, be<strong>for</strong>e his case was settled the author<br />

of the original story appeared on the scene and insisted that he was<br />

the person they should have dealt with in renting the film <strong>for</strong> air<br />

use. The case was settled amicably out of court, but it could have<br />

led to involved and long, drawn-out court proceedings.<br />

In the case mentioned above, even though the television station<br />

had obtained a release to use the film on <strong>TV</strong>, and the <strong>for</strong>m of re-<br />

lease was the usual one, which, "holds safe the hirer from suits aris-<br />

ing from the use of the film," and goes on to state that the owner<br />

guarantees the immunity of the hirer from damage awards, it might

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