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Movies for TV - Early Television Foundation

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INTRODUCTION ix<br />

since many subjects which are covered indirectly by<br />

sion must receive separate mention here.<br />

class discus-<br />

I would like to stress that reading this book is not intended to<br />

make the reader an expert in the field of movies or television, but<br />

it should pave the way to an understanding of what goes on in the<br />

film department and serve to buffer the initial inexperience of the<br />

beginner on first beholding film equipment. Practically all the<br />

equipment used in this sphere is either illustrated or described, and<br />

<strong>for</strong> a person who wants to work in a projection room the projector<br />

notes should be quite valuable. About 25 per cent of the jobs in tele-<br />

vision are directly or indirectly connected with films, and a person<br />

who knows something about all the aspects of his field is usually<br />

able to do a better job. This book is written <strong>for</strong> the student; the<br />

ad agency man who is, perhaps, not yet in television; the station<br />

personnel who are expecting to enter television; or just <strong>for</strong> the in-<br />

telligent reader who likes to know what makes things tick or even<br />

<strong>for</strong> the prospective sponsor who would like to know what he can<br />

expect from the art.<br />

Very few works are without blemish, especially when there are<br />

many arbitrary, individual ways of defining or per<strong>for</strong>ming the same<br />

action, and I am sure that more than one meaning can be found<br />

<strong>for</strong> some of the statements included here. Moreover, many people<br />

have their own definitions and ways of doing things in an art as<br />

new and fluid as television. This is as it should be, <strong>for</strong> only by the<br />

successful combining of many ideas and methods can a solid, progressive<br />

art be founded.<br />

This project has only been made possible through the whole-<br />

hearted cooperation given me by the manufacturers of the equip-<br />

ment described and illustrated herein. For granting permission to<br />

reproduce their photographs and draw upon their instruction books<br />

to extract diagrams and tables, I extend grateful acknowledgment<br />

to: The American Standards Association Inc.; Acme (Producers<br />

Service Company) ;<br />

Messrs. Bell & Howell; Berndt-Bach (Auricon<br />

equipment) ; The Columbia Broadcasting System; E. I. Du Pont;<br />

Dr. Frank Back (Zoomar Lens) ; Eastman Kodak Company;<br />

General Electric Company; The Houston Corporation; J. A.

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