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Movies for TV - Early Television Foundation

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50<br />

FUNDAMENTALS<br />

full-frame follow-focus. This means that it is possible to watch<br />

the scene being filmed through the lens which is recording on the<br />

film all the time that the scene is being filmed. Thus, the cameraman<br />

sees exactly the same things that are recorded on the film,<br />

and errors due to parallax or lack of coordination between the<br />

camera lens and the view finder are eliminated.<br />

The Auricon cameras are very interesting additions to the<br />

16 mm line inasmuch as all three are essentially single system<br />

cameras which can also be used <strong>for</strong> double system recording. The<br />

notes which follow shortly illustrate their versatility. For the sake<br />

of convenience, the cameras have been listed alphabetically and<br />

are treated in that order.<br />

The Akely 35 mm Camera This is a high-grade professional<br />

movie camera. Electrically driven, it is a highly precisioned piece<br />

of equipment and produces excellent results. It is used by Para<br />

mount <strong>for</strong> recording the picture in their intermediate film, big<br />

screen television equipment and <strong>for</strong> kinescoping purposes.<br />

The Auricon Group Auricon cameras made by Messers.<br />

Berndt-Bach of Los Angeles, Cali<strong>for</strong>nia, are unique in the 1 6<br />

mm equipment line (and the 35 mm, too, <strong>for</strong> that matter). They<br />

are designed initially as high-quality picture-producing equipment,<br />

but provision is also made <strong>for</strong> recording high-fidelity single system<br />

sound. The camera proper is illustrated in Figures 3-1 and "3-2.<br />

These show the camera with a three-lens turret and a single-lens<br />

mounting with the side open.<br />

Figure 3-1 shows the view finder which automatically corrects<br />

<strong>for</strong> parallax and indicates the distance to the subject. A number<br />

of spare mattes (masks) <strong>for</strong> different lens lengths are carried in<br />

the body of the finder so that the correct field size can be obtained<br />

with any lens.<br />

The camera is designed to take 16 mm single per<strong>for</strong>ation film<br />

since it is intended <strong>for</strong> sound work. However, it* is ,<br />

: possible that<br />

double per<strong>for</strong>ation film would pass through. The opened camera<br />

shows the 200-foot magazine and the film passage can be identified

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