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The numismatic chronicle and journal of the Royal Numismatic Society

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NUMISMATIC SOCIETY. 17<br />

coins in <strong>the</strong> extreme East as his fa<strong>the</strong>r's representative. Possibly<br />

at some future time corroborative <strong>numismatic</strong> evidence will be<br />

forthcoming.<br />

In ano<strong>the</strong>r paper Pr<strong>of</strong>essor Gardner publishes a tetradrachm<br />

bearing <strong>the</strong> name <strong>of</strong> Andragoras, <strong>of</strong> whom he had published a<br />

gold stater, in <strong>the</strong> " <strong>Numismatic</strong> Chronicle " for 1879, bearing<br />

<strong>the</strong> same monogram. Unfortunately <strong>the</strong>re is nothing conclusive<br />

in <strong>the</strong> type or legend to determine its Parthian origin. <strong>The</strong><br />

head on <strong>the</strong> obverse is that <strong>of</strong> a city, <strong>and</strong> not <strong>of</strong> a deity or king.<br />

Some o<strong>the</strong>r remarkable ,<br />

coins<br />

from <strong>the</strong> collection <strong>of</strong> Mr.<br />

Alex<strong>and</strong>er Grant are described in <strong>the</strong> same paper.<br />

Pr<strong>of</strong>essor Gardner's third essay concerning Floral Patterns<br />

on Archaic Greek Coins is <strong>of</strong> a more speculative nature. In it<br />

he advances <strong>the</strong> view that <strong>the</strong> device on <strong>the</strong> early coins <strong>of</strong><br />

Corcyra <strong>and</strong> some <strong>of</strong> its colonies which many<br />

<strong>of</strong> <strong>the</strong> elder<br />

numismatists have regarded as representing <strong>the</strong> gardens <strong>of</strong><br />

Alcinoiis, are merely a floral representation. <strong>The</strong> connection<br />

between <strong>the</strong> rose <strong>and</strong> <strong>the</strong> worship <strong>of</strong> Apollo as a sun-god is<br />

undoubted, <strong>and</strong> as <strong>the</strong> author fur<strong>the</strong>r points out, o<strong>the</strong>r flowers<br />

were connected with <strong>the</strong> cultus <strong>of</strong> o<strong>the</strong>r divinities. On coins <strong>of</strong><br />

Gyrene, Cyme, <strong>and</strong> o<strong>the</strong>r towns, floral ornaments seem to occur,<br />

<strong>and</strong> on some varieties <strong>of</strong> <strong>the</strong> coins <strong>of</strong> Corcyra itself, petals with<br />

stamens between <strong>the</strong>m can be traced. When, however, a<br />

type is so obscure that some authors regard it as <strong>the</strong> repre-<br />

sentation <strong>of</strong> a garden, o<strong>the</strong>rs as a fortuitous collection <strong>of</strong><br />

strokes, <strong>and</strong> o<strong>the</strong>rs again as <strong>the</strong> stars <strong>of</strong> <strong>the</strong> Dioscuri, it is<br />

evident that any intei-pretation will not be at once accepted<br />

by all, though probably all will agree<br />

in Pr<strong>of</strong>essor Gardner's<br />

conviction that <strong>the</strong> type is not without meaning. Taking into<br />

account <strong>the</strong> marvellous artistic skill <strong>of</strong> <strong>the</strong> early Greek coin-<br />

engravers, <strong>the</strong> question why<br />

in this instance it is so hard to<br />

recognise what <strong>the</strong>y intended to represent is almost as perplexing<br />

as <strong>the</strong> design on <strong>the</strong> coins itself.<br />

Ano<strong>the</strong>r important paper on Greek <strong>numismatic</strong>s is a<br />

supplementary note on <strong>the</strong> Coinage <strong>of</strong> Ephesus by our<br />

d

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