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The numismatic chronicle and journal of the Royal Numismatic Society

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MEDALS BY G. M. POMEDELLO. 335<br />

winged genius, kneeling on one knee, writes on a shield<br />

suspended from an oak-tree ; above, an eagle bears a<br />

wreath ; in <strong>the</strong> exergue appears <strong>the</strong> artist's device. <strong>The</strong><br />

diameter <strong>of</strong> <strong>the</strong> piece, which is cast in bronze, is 35 milli-<br />

metres. <strong>The</strong> medal is <strong>of</strong> some importance, as being <strong>the</strong><br />

first <strong>of</strong> <strong>the</strong> long series executed for this monarch, <strong>and</strong> it is<br />

also interesting on <strong>the</strong> side <strong>of</strong> <strong>the</strong> artist, inasmuch as it is<br />

probably one <strong>of</strong> his earliest works, his first dated medal<br />

being <strong>of</strong> <strong>the</strong> year 1519. It is figured<br />

in Van Mieris<br />

(vol. ii. p. 49), <strong>and</strong> is assigned by him to <strong>the</strong> date 1517, in<br />

which year Charles first went to Spain to enter on his<br />

sovereignty. <strong>The</strong> medal, according to Van Mieris, cele-<br />

brates <strong>the</strong> victories gained by <strong>the</strong> troops <strong>of</strong> Charles over<br />

those <strong>of</strong> Gelderl<strong>and</strong>. <strong>The</strong> Duke <strong>of</strong> this province had been<br />

almost constantly at war with Maximilian, <strong>the</strong> gr<strong>and</strong>fa<strong>the</strong>r<br />

<strong>of</strong> Charles.<br />

<strong>The</strong> singular device which alone affords <strong>the</strong> clue to <strong>the</strong><br />

authorship <strong>of</strong> <strong>the</strong> medal appears to be an apple (pomello,<br />

pomedello) traversed by a monogram, varying slightly in<br />

form in different specimens, but which can only be construed<br />

into <strong>the</strong> five letters Z, V, I, A, <strong>and</strong> N. As<br />

Pomedello appears to have worked much in Venice, it has<br />

been plausibly suggested that <strong>the</strong> combination may mean<br />

ZAN or ZVAN, <strong>the</strong> Venetian pronunciation <strong>of</strong> <strong>the</strong> name<br />

Giovan. It is, however, quite as likely that it may<br />

st<strong>and</strong> for NANNI, an abbreviation <strong>of</strong> <strong>the</strong> same name.<br />

In addition to <strong>the</strong> device <strong>and</strong> monogram, a small instrument,<br />

perhaps a chasing-tool, is to be seen lying on ei<strong>the</strong>r<br />

side. <strong>The</strong> form <strong>of</strong> <strong>the</strong> is apple so unnatural, <strong>and</strong> <strong>the</strong><br />

monogram is so obscure, that its ownership could hardly<br />

have been traced but for <strong>the</strong> fact that it is accompanied by<br />

Pomedello's full signature in <strong>the</strong> case <strong>of</strong> three <strong>of</strong> his<br />

medals, representing (1) a certain Canossa ; (2) Stefano

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