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The numismatic chronicle and journal of the Royal Numismatic Society

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338 NUMISMATIC CHRONICLE.<br />

Fortune, on <strong>the</strong> reverse, holds in her right h<strong>and</strong> three<br />

large nails, <strong>and</strong> in <strong>the</strong> left a horse's bit, her right foot<br />

resting on a skull, <strong>and</strong> her left on a richly ornamented<br />

helmet. <strong>The</strong> treatment <strong>of</strong> <strong>the</strong> hair, floating forwards in<br />

a tress fastened above <strong>the</strong> forehead, is exceptional, as also<br />

<strong>the</strong> Greek legend, EK HALAI MOI MHNIZOMENH.<br />

In <strong>the</strong> exergue, <strong>the</strong> " sigla," corresponding<br />

to that on<br />

<strong>the</strong> medal <strong>of</strong> Charles, is plainly distinguishable. <strong>The</strong><br />

diameter <strong>of</strong> this fine example is 46 mm.<br />

In <strong>the</strong> smaller medal (diameter 30 mm.} <strong>of</strong> <strong>the</strong> same<br />

person, published by Friedlaender (Taf. xix. 6), <strong>the</strong> head<br />

is turned to <strong>the</strong> right, <strong>and</strong> <strong>the</strong> AETERNA .<br />

FORTVNA<br />

is undraped <strong>and</strong> st<strong>and</strong>ing, but all <strong>the</strong> peculiarities <strong>and</strong><br />

accompaniments are repeated. <strong>The</strong> apple <strong>and</strong> monogram<br />

here appear in <strong>the</strong> field, instead <strong>of</strong> in <strong>the</strong> exergue.<br />

Cicognara speaks <strong>of</strong> <strong>the</strong> medal <strong>of</strong> Isabella as " degna<br />

de' primi artisti del secolo," <strong>and</strong> regards <strong>the</strong> "figura<br />

ignuda " <strong>of</strong> <strong>the</strong> reverse as a representation <strong>of</strong> Temperance.<br />

He evidently refers to <strong>the</strong> larger medal, for though <strong>the</strong><br />

figure is only partially nude, <strong>the</strong> legend in <strong>the</strong> smaller<br />

piece shows <strong>the</strong> personification <strong>of</strong> Fortune to be intended.<br />

" E riscontrarsi/' he adds, " in questa la<br />

sigla indicata<br />

senza che siavi il nome dell' autore ; ma non tanto per la<br />

cifra come per lo stile sembra doverglisi assegnare senza<br />

alcun dubbio." He reserves, however, his highest praise<br />

for <strong>the</strong> medal <strong>of</strong> Stefano Magno, executed in 1519, which<br />

he describes as Pomedello's chef d'ceuvre, <strong>and</strong> as being<br />

unsurpassed in this branch <strong>of</strong> art.<br />

<strong>The</strong> third medal (diameter 40 mm], <strong>of</strong> which an illustra-<br />

tion is given, is that <strong>of</strong> Frederick II., <strong>of</strong> Gonzaga, who<br />

was born in 1500, <strong>and</strong> became fifth Marquis <strong>of</strong> Mantua<br />

in 1519t In 1530 he was created Duke <strong>of</strong> Mantua by<br />

Charles V., <strong>and</strong> he lived till 1540. It is clear, <strong>the</strong>n, from

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