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The numismatic chronicle and journal of the Royal Numismatic Society

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POLLUX' ACCOUNT OF ANCIENT COINS. 285<br />

as does Demos<strong>the</strong>nes, 11 a tritalent, <strong>and</strong> a decatalent,<br />

<strong>and</strong> a hemitalent, as, in Homer, 12 " But I will add for <strong>the</strong>e<br />

a hemitalent <strong>of</strong> gold."<br />

An ancient usage also was that <strong>of</strong> <strong>the</strong> "fifth hemi-<br />

talent " <strong>and</strong> " third hemitalent " <strong>and</strong> " seventh hemi-<br />

talent," i.e. four <strong>and</strong> a half <strong>and</strong> two <strong>and</strong> a half <strong>and</strong> six<br />

<strong>and</strong> a half talents. In short, whatever be <strong>the</strong> number <strong>of</strong><br />

<strong>the</strong> hemitalent mentioned, <strong>the</strong> number before this must<br />

be an integer ; (55) if <strong>the</strong> seventh, six ; if <strong>the</strong> third, two ;<br />

<strong>and</strong> to this must in every case be added <strong>the</strong> half. <strong>The</strong><br />

ancients also liked to call one talent <strong>and</strong> a half three<br />

hemitalents, as also one mina <strong>and</strong> a half three hemi-<br />

minas. That <strong>the</strong> talent was worth little among Homer's<br />

contemporaries can be seen from <strong>the</strong> horse-race, 13 in which<br />

<strong>the</strong> prize for <strong>the</strong> third is a caldron, <strong>and</strong> for <strong>the</strong> fourth,<br />

two talents <strong>of</strong> gold.<br />

(56.) <strong>The</strong> mina 14 is <strong>the</strong> largest division <strong>of</strong> <strong>the</strong> talent<br />

to come down, in <strong>the</strong> subdivisions <strong>of</strong> <strong>the</strong> talent,<br />

to one<br />

which has a name <strong>of</strong> its own ; since you could also speak<br />

<strong>of</strong> <strong>the</strong> third part <strong>and</strong> fourth part, <strong>the</strong> third <strong>and</strong> quarter <strong>of</strong><br />

a talent ; but such divisions as <strong>the</strong>se are expressed in terms<br />

<strong>of</strong> number, <strong>and</strong> not by a name <strong>of</strong> <strong>the</strong>ir own. <strong>The</strong> mina<br />

also 15 was at <strong>the</strong> same time <strong>the</strong> name <strong>of</strong> a weight <strong>and</strong> <strong>of</strong><br />

a coin ; its half is a hemimina ; <strong>and</strong> if you speak <strong>of</strong><br />

11 De Corona, p. 829.<br />

12<br />

II. 796.<br />

ijt,<br />

13<br />

II. 262. This {ff. passage has been overlooked by Sir H.<br />

Maine <strong>and</strong> Mr. P. Laurence (Journ. <strong>of</strong> Pkilol. viii. 125), who<br />

suppose <strong>the</strong> Homeric talent to have been a large sum.<br />

14<br />

Talent is a Greek word, but mina is taken direct from a<br />

Semitic language, probably that <strong>of</strong> <strong>the</strong> Phoenicians. <strong>The</strong> Greeks<br />

adopted it from this latter people in <strong>the</strong> course <strong>of</strong> <strong>the</strong>ir mercantile<br />

transactions with <strong>the</strong>m, <strong>and</strong> adopted not only <strong>the</strong> name but<br />

<strong>the</strong> weight also. See Br<strong>and</strong>is, Miinzwesen.<br />

14 I.e. as well as <strong>the</strong> taleiit.

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