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Developmental psychology.pdf

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Perception and Consciousness 153<br />

back and forth, asking ourselves: "Which is it?" This result was obtained when subjects<br />

touched a three-dimensional cube, thereby gaining assurance about which corner<br />

was closest and which was most distant. The reversals immediately decreased, suggesting<br />

that the influential factor was not fatigue but rather a proper understanding<br />

of the environment (Shopland & Gregory, 1964).<br />

Information Processing in Perception We should emphasize here that perception<br />

is a highly integrated process, one in which the basic processes—selection, organization,<br />

and interpretation—occur in interrelated fashion in most instances. Perception is not<br />

only active but, more accurately, interactive. It is influenced on one side by the sensory<br />

input and on the other side by memories and thoughts about the incoming stimulation.<br />

Many cognitive psychologists today speak of information processing, stressing that<br />

several sequential and interactive mental operations are involved in the ways that we<br />

come to understand the world.<br />

In the information-processing approach, these activities include three general<br />

components: the intake and output of information, its storage, and appropriate operations<br />

carried out on the stored and transmitted information. At this point we are considering<br />

only the first of these, the intake of information. In later chapters on memory<br />

and cognition we shall focus upon the storage and mental operations, respectively. The<br />

point to be stressed is merely that human beings use information in an active and interpretive<br />

manner. They seek information, often going beyond What is given in the<br />

environment, making of it whatever they can from the present context, past experience,<br />

and expectations for the future.<br />

•I'U '<br />

Principles of Grouping Since a pattern usually has several parts, the next problem<br />

concerns how the parts are organized, and here the gestalt principles are relevant. The<br />

term gestalt is a German word meaning shape or configuration, and the psychologists<br />

who first enunciated these principles sometimes were called configurationalists. They<br />

were also called holistic psychologists because their emphasis is upon the whole pattern<br />

or whole situation. Psychologists with this viewpoint sometimes disparage analytical<br />

or reductionistic investigations, in which it is assumed that complex events are to be<br />

understood only by identifying the smaller components.<br />

According to the principle of similarity, stimuli of similar shape, size, sound,<br />

or color tend to be grouped together. When Victor overheard a conversation between<br />

Itard and Madame Guerin, his guardian, the boy could identify the sounds made by<br />

each of them by the similarity of each person's tones. When Itard wished to train Victor's<br />

sense of touch, he put a mixture of chestnuts, acorns, pennies, and eventually<br />

metal letters in the bottom of an opaque vase. The boy placed his arm in the vase and<br />

was made to understand that he should bring forth all items of a similar shape, which<br />

he eventually accomplished readily (Figure 6.6).<br />

The principle of proximity refers to the tendency to perceive stimuli near one<br />

another as belonging together. For example, ask a friend to listen while you tap twice<br />

in rapid succession, wait an interval, and tap twice again. When asked how many taps<br />

he or she has heard, your listener probably will report two pairs of taps, rather than<br />

four altogether (Figure 6.7).<br />

Again, these principles appear innate, but sometimes, when they are in conflict,<br />

we must learn to solve the problem. Itard used such problems in teaching Victor<br />

the alphabet, drawing upon the blackboard two equal circles, one in front of himself<br />

and one facing Victor. At each of six or eight points upon the circumference of each<br />

circle he wrote a different letter, and then within the circles he wrote the same letters<br />

but placed them differently in the two instances. Next, Itard drew lines connecting<br />

each letter on the circumference with its counterpart in the interior of his circle, and<br />

then he requested that Victor do the same for his own circle. At first this was a challenging<br />

task for the boy, who wanted to connect them on the basis of proximity, but<br />

later he used the principle of similarity, no longer bothered by the different displacement<br />

of the letters.<br />

-f 4-<br />

+ + 4- +<br />

Figure 6.6<br />

Grouping: Similarity. The signs are<br />

viewed as five rows, not seven<br />

columns, though the distances<br />

between the rows and columns are<br />

equal.<br />

oo oo oo oo<br />

ooo oo ooo<br />

oooo oooo<br />

Figure 6.7<br />

Grouping: Proximity. The eight<br />

circles in each row are seen as<br />

forming groups of four, three, or two<br />

depending on their "nearness to one<br />

another.

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