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Developmental psychology.pdf

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Perception and Consciousness 163<br />

Figure 6.17<br />

Interpretation of the Muller-Lyer<br />

Illusion. The vertical colored lines are<br />

the same length, but A represents a<br />

near corner and В a far corner. Since<br />

В is presumed to be more distant, it<br />

seems longer than A.<br />

In illusions, and also in more accurate judgments about stimuli, we see that<br />

perception is a synthesizing or creative process. We try to make something meaningful<br />

out of the information coming from the environment and previous experience. To some<br />

degree we create our own perceptions and misperceptions. They "come from us, not<br />

from our surroundings. The perceiver decides what an object is ... he makes it what<br />

he chooses to make it, and can make it, in the light of his unique experience and purpose"<br />

(Kelley, 1955).<br />

Obstacles in Person Perception<br />

Perhaps the most challenging and important perceptual task for all of us is the perception<br />

of other people. We are endlessly trying to make accurate judgments about<br />

other human beings, but often we meet with little success. What factors make person<br />

perception so much more difficult than object perception?<br />

Interest in Psychological Characteristics First, when we perceive other people,<br />

we usually try to determine something more than physical characteristics. We want to<br />

understand the other individual from a psychological standpoint as well.*<br />

Itard had curly hair, a slanting forehead, and an aquiline nose that extended<br />

almost to his bold chin, but these characteristics are not as important to us as his attitudes,<br />

intellect, and personality traits. Usually we are looking for internal and abstract<br />

qualities, although our information is limited to physical and behavioral<br />

characteristics. We make inferences about inner qualities, combining current experience<br />

with previous information, in forming an impression of Jean Itard. The process<br />

is a creative one and also prone to error.<br />

In passing, we should note that the relationship between physical characteristics<br />

and personality is not impressive. If Itard has a large forehead, we cannot say<br />

very much about what that means in terms of personality. There is no significant relationship<br />

between the size of one's forehead and one's intellect, and the relationship<br />

between body type and personality is also doubtful. Even in the few instances in which<br />

correlations have been found, they pertain to groups of people rather than to individuals<br />

(Rees, 1961; Walker, 1962).<br />

*How many of your close<br />

friends, of both sexes, do you think<br />

ugly? I, for one, cannot say that any<br />

of my friends are painful to look at,<br />

or ugly, or even unattractive. But I<br />

can remember that upon meeting<br />

some of these people the first time<br />

I did notice that some of them were<br />

less than beautiful. In fact, if I try to<br />

recapture the face I saw when we<br />

first met, which is next to<br />

impossible, I realize that a type of<br />

nose or a cowlick that I found oddlooking<br />

now goes unnoticed in the<br />

presence of other qualities. . . .<br />

Changing Personal Qualities In object perception the size and shape of the retinal<br />

image change as the perceiver moves about in space, but the object itself is relatively<br />

constant in most cases. The observer makes generalizations about a distal stimulus that<br />

is comparatively stable.

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