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Cognition and Language 219<br />

The members of a women's soccer<br />

team arrived at the field ready to<br />

play when it was noticed that<br />

the crossbar for one goal had<br />

been removed. Only the two<br />

posts remained standing. Taking<br />

off their warm-up clothes, the<br />

players found no other materials<br />

available and decided to play<br />

anyway, without a crossbar,<br />

until one of them overcame<br />

functional fixedness. What was<br />

the solution? The answer is on<br />

the next page.<br />

clearly in favor of the experimental group. Five months later a follow-up study showed<br />

the continuing superiority of the experimental subjects (Crutchfield & Covington,<br />

1965).<br />

In everyday life we often use a habitual approach to a problem when a better<br />

solution is available. One constant challenge for all educators is to help students think<br />

in new ways.<br />

Figure 8.17<br />

A Problem in Functional<br />

Fixedness.<br />

CREATIVE THINKING<br />

Let us review again, briefly. We saw at the outset of this chapter that thinking is fundamentally<br />

based on concepts and that some animals can acquire concepts. Since words<br />

typically represent concepts, language is highly influential in human thought, and it<br />

plays a critical role in the development of children's thought, especially abstract thinking.<br />

When thinking is used in logical ways to solve problems, it is called reasoning, a<br />

process that has been studied most recently through computer models.<br />

We now turn to another form of problem solving, one that is not as obviously<br />

logical and controlled as reasoning. The aim in creative thinking is to produce a novel<br />

rather than a routine solution to some problem. This form of thinking therefore has<br />

an important basis in imagination; it requires a high degree of flexibility and the capacity<br />

to combine seemingly unrelated events.<br />

Processes in Creativity<br />

The creative process is infrequent, by definition, and it often takes place during long,<br />

lonely hours, as the works of Freud, Einstein, and Darwin bear testimony. Psychologists<br />

therefore have been often frustrated in attempts to discover what is happening in<br />

the black box. Research has provided some new ideas, but in many instances progress<br />

has been slow or disappointing.<br />

Stage Theory Some decades ago the primary approach involved retrospective<br />

interviews. Creative people were identified on the basis of their products, and then they<br />

were asked to think back on their earlier work and to give an account of what had<br />

transpired. In this way four stages or phases of the creative process were identified:<br />

preparation, incubation, illumination, and verification or revision.<br />

The preparation phase included training and hard work. As Thomas Edison<br />

said, much of his inspiration was perspiration. The incubation phase was characterized<br />

by no obvious progress. The subject had an idea in the back of his mind for several<br />

days or weeks. Many subjects reported, however, that a creative solution appeared unexpectedly,<br />

as a sudden illumination, even when they were thinking about something<br />

else. Finally, in verification, the idea was evaluated and perhaps revised (Wallas, 1926).<br />

Answer to Figure 8.12<br />

To achieve the solution, there must<br />

be three coins in each pan on the<br />

first trial. If the pans are even, then<br />

weigh the two remaining coins to find<br />

the heavier one. If the pans are<br />

uneven, weigh two of the coins from<br />

the heavier pan. An uneven balance<br />

here will show the heavier coin, but if<br />

the scale still balances, the remaining<br />

coin must be the odd one.<br />

Answer to Figure 18.13<br />

You probably decided upon intervals<br />

of two between ascending numbers,<br />

and if you tested this hypothesis by<br />

offering other series, such as 6-8-10<br />

and 3-5-7, you would have been told<br />

you were right—even though your<br />

hypothesis was wrong. The correct<br />

principle is ascending numbers with<br />

any interval between them. If you only<br />

offer samples consistent with your<br />

hypothesis, you collect no new<br />

information. The best way to verify<br />

any hypothesis is to include tests<br />

which do not conform to it, such as<br />

2-7-10 in this case (Wason, 1960).<br />

Answer io Figure 8.14<br />

The conclusion is incorrect, for the<br />

vitamins the youngsters lack are not<br />

necessarily those which are essential<br />

to good health. One person<br />

answered: "This follows . . . youth<br />

do not get enough vitamins. Vitamins<br />

are necessary or bad health results.<br />

Therefore, youth are endangered."<br />

But this subject distorted the<br />

premise, thinking of some vitamins as<br />

all vitamins (Henle, 1962).

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