25.11.2014 Views

Developmental psychology.pdf

Developmental psychology.pdf

Developmental psychology.pdf

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

1S4<br />

Modes of Awareness<br />

L<br />

\<br />

С<br />

Figure 6.8<br />

Grouping: Closure. The top figures<br />

are recognized as a square, triangle,<br />

and number. The bottom figures are<br />

too incomplete to be recognized.<br />

The third principle of grouping occurs when we cannot perceive the whole<br />

figure. We ignore the absence of the undetected parts, following the principle of closure.<br />

A person partly hidden behind a tree is still perceived as a human being, provided<br />

enough of the person is visible. Similarly, we hear just a few sounds and recognize a<br />

whole song or speech (Figure 6.8).<br />

In the last principle, called the principle of good continuity or good form, any<br />

line or movement tends to be perceived as continuing in its established direction. Stimuli<br />

that form a continuous pattern are perceived as a whole; they make an obvious or<br />

"good" figure. If a hat and a walking stick are lying together, we would decide which<br />

contours belong to the hat and which to the stick on the basis of the natural continuity,<br />

although we can be fooled sometimes. When directional changes are pronounced or<br />

unusual, the wrong continuity is perceived (Wertheimer, 1938; Figure 6.9).<br />

There are other principles of grouping as well, at times used intentionally to<br />

render objects less visible. This result is called camouflage. All the principles can serve<br />

this purpose, but the most important is color, which is an aspect of similarity.<br />

Figure 6.9<br />

Grouping: Continuity. The upper<br />

figure is perceived as a hat and a<br />

cross, not four segments, because<br />

we perceive patterns on the basis of<br />

continuous forms to which we are<br />

accustomed.<br />

Perceptual Constancy<br />

Victor recognized Itard regularly, even when the physician was far away, when he was<br />

below Victor's window, and when dusk had fallen. Yet the image of Itard on Victor's<br />

retinas was different at these different moments. When he was at some distance, the<br />

image was small. When Itard was directly below him, Victor saw little more than a<br />

hat. In the evening light, the image was faint. Even when stimuli represent the same<br />

object, they change in nature as we move about and as the conditions of our environment<br />

change.<br />

In the midst of all this change and potential ambiguity, it is remarkable that<br />

we achieve a stable perception of the world. This capacity for recognizing objects under<br />

conditions of different stimulation is known as perceptual constancy, of which there<br />

are several types.<br />

Types of Perceptual Constancy The door in Madame Guerin's hallway appeared<br />

rectangular regardless of the position from which it was viewed, an example of shape<br />

constancy. This phenomenon occurs whenever an object appears to maintain its form<br />

or shape despite marked changes in the retinal image (Figure 6.10).<br />

When you hold some familiar object close to your eyes and then gradually<br />

move it away, the retinal image becomes smaller. But the perceived size of the object<br />

does not change a great deal, demonstrating size constancy. Similarly, people far away<br />

have a smaller image than those closer to you, but they all look about the same size.<br />

This phenomenon is relatively stable regardless of the size of the image (Georgeson &<br />

Harris, 1981).<br />

Figure 6.10<br />

Shape Constancy. Even when the<br />

retinal image is trapezoidal, the door<br />

is perceived as rectangular (Gibson,<br />

1950).

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!