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Developmental psychology.pdf

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236 Learning and Information Processing<br />

Age (Months)<br />

16<br />

18<br />

21<br />

24<br />

27<br />

30<br />

33<br />

Passages from<br />

Sophocles<br />

I, II, III<br />

IV, V, VI<br />

VII, VIII, IX<br />

X, XI, XII<br />

XIII, XIV, XV<br />

XVI, XVII, XVIII<br />

XIX, XX, XXI<br />

Figure 9.2<br />

Benjamin's Schedule. Each<br />

passage, approximately 20 lines in<br />

length, had been read to him almost<br />

100 times (Burtt, 1937).<br />

Measurement of Memory<br />

Regardless of the exact structure and function of the memory trace, some psychologists,<br />

like Harold Burtt, prefer to study memory at the behavioral level. Rather than<br />

attempting to locate the origins of memory, like the elusive "sources of the Nile," they<br />

concern themselves with directly observable phenomena, the fact that people show the<br />

effects of prior experience. For this purpose, these psychologists have developed three<br />

methods for measuring memory: recall, recognition, and relearning.<br />

..When Benjamin was eight and one-half years old, his father decided it was<br />

time to measure what his son had remembered of his prior experiences. Despite his<br />

age, Benjamin eventually had become resigned to his "Greek lesson" as he called it,<br />

and five years earlier had listened to all 21 passages of 240 syllables read aloud .90<br />

times each. Presumably something had happened in his nervous system during that<br />

time, and hopefully it might now be detected (Figure 9.2).<br />

Method of Recall The father began with the method of recall because it is the most<br />

difficult memory task, readily replaced by easier ones if necessary. In the method of<br />

recall, the person is simply asked to reproduce a prior experience in any convenient<br />

manner, without significant prompting or cues. Benjamin was asked to tell what he<br />

knew of Sophocles' Oedipus Tyrannus, but the boy had no suspicion that he had even<br />

heard of the passages previously. He showed no memory whatsoever, which seemed<br />

like a forlorn result in view of all the effort on the part of father and son.<br />

Sometimes various signals or hints are permitted, and this procedure is called<br />

cued recall. Benjamin might have been asked: "Now tell me about the words. Do you<br />

remember any particular words or names in that story?" Sometimes called redintegration,<br />

from the term re + integration, cued recall is used to make the task easier.<br />

One part is recalled or a prompt is given, and then another part is recalled from this<br />

information. Courtroom testimony typically begins with free recall, but when an impasse<br />

is reached, cued recall is sometimes used. There is an attempt to reconstruct the<br />

whole by using pieces. But with eight-year-old Benjamin, even cued recall was of no<br />

help whatsoever.<br />

Especially in cases of visual stimuli, some people give exceptionally accurate<br />

testimony without any prompting. This phenomenon, most likely in children, is known<br />

as eidetic imagery, meaning a memory image as clear as a photograph or hallucination<br />

(Paine, 1980). A child with eidetic imagery sometimes describes a previously viewed<br />

picture as if it were still present, including details not observed while studying that<br />

picture originally (Plate 10).<br />

When cued or free recall is used, the reproduction usually is not perfect. Errors<br />

are introduced, and almost inevitably these involve certain predictable changes.<br />

Some parts of the scene or story do not appear in the reproduction, and the process of<br />

simplification has occurred. That is, details have been omitted. When other parts are<br />

emphasized, elaboration has occurred. And if unfamiliar items are changed into more<br />

familiar form, conventionalization is said to have taken place. Often, all of these processes<br />

occur together (Bartlett, 1932; Figure 9.3).<br />

Figure 9.3<br />

Errors in Recall. The Picasso bull<br />

was drawn from memory by several<br />

students, after observing it for 20<br />

seconds. Simplification occurs in the<br />

top drawing in the omission of the<br />

shadow on the ground, and<br />

elaboration occurs in the shading of<br />

the rump. Simplification and<br />

something akin to conventionalization<br />

are suggested in the bottom drawing<br />

in the handling of delicate details.

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