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Wednesday 15 April 2015 11:00 - 12:30<br />
PAPER SESSION 2<br />
Schreiner's reputation seemed assured; and as late as the 1970s, her Women and Labour appeared on some<br />
Sociology reading lists. However, few sociologists subsequently would have placed Schreiner's work within the<br />
discipline's canon, ironically displaced by contemporary feminist writings. But more recently, canon revision has<br />
recognised a broader range of ideas and positions, with Schreiner's work benefitting from this. Her intellectual and<br />
interpersonal relationships with Herbert Spencer, John Hobson, Leonard Hobhouse and W.E.B. Du Bois are outlined,<br />
and these network links distinguished from her associational and figurational connections, closely bound into her<br />
absolute pacifism, with Hobson, Isabella Ford, Frederick Pethick-Lawrence, Bertrand Russell, Norman Angell and<br />
Jane Adams. Schreiner did not aspire to be 'a sociologist', with her priorities political ones concerning 'race' and<br />
racism and war and peace; but the boundaries were fluid; and the power and reach of her analysis, its international<br />
significance and close connections with key sociological concerns, ensures her work remains of great relevance.<br />
From Literature to Sociology: The Shock of Celine's Literary Style and Viola Klein's Attempt to Understand It<br />
Lyon, E.S.<br />
(London South Bank University)<br />
This presents a discussion of the first doctoral thesis written by Viola Klein whilst in Prague and before her escape to<br />
Britain in 1938. Her second thesis, published as The Feminine Character: History of an Ideology (1946), written under<br />
the supervision of Karl Mannheim at the LSE, is known in the history of sociology as a contribution to critiques of<br />
patriarchal constructions of knowledge. But her first thesis, on the literary style of the French novelist Louis-Ferdinand<br />
Celine, is in many ways equally interesting. It throws light both on why she later approached Mannheim to become<br />
supervisor of her second thesis, and on her own intellectual journey from literature to sociology during the conflict<br />
ridden 1930s, a decade which towards the end of it saw Celine turn to virulent anti-Semitism. Lepenies, in his work on<br />
the history of sociology Between Literature and Science: The Rise of Sociology (1988), points to the lack of attention<br />
to the role of fiction as a source of influence in the development of sociology and sociologists. Through a discussion<br />
of Klein's thesis arguments about society, literary culture and language, this paper aims to fill a gap in the history of<br />
Viola Klein, Karl Mannheim, and the turbulent political context of sociology during the first half of the 20th century.<br />
(Relevant publication: Lyon (2007) 'Viola Klein: Forgotten Emigre Intellectual, Public Sociologist and Advocate of<br />
Women', Sociology 41(5): 829-842.)<br />
Re-evaluating Lucien Goldmann: Sociologist of Cultural Production and Marxist Theorist<br />
Fowler, B.<br />
(University of Glasgow)<br />
This paper will explore the genetic structuralism of the Rumanian-French thinker, Goldmann (1913-1970), who is in<br />
danger of being dropped from our collective memory. It focuses particularly on two areas of his thought - first, his<br />
conception of a "tragic vision" in the work of Kant, Pascal and Racine and secondly, his considerations of late<br />
capitalism. His Immanuel Kant (1971[1945] and The Hidden God (1964 [1956] are argued to offer enduringly<br />
illuminating analyses, and ones which are supported by other sociological studies of absolutism (eg Elias's The Court<br />
Society (2006 [1939], Bourdieu's Sur L'Etat (2012) ). In this light that it will be noted that Bourdieu himself had a<br />
paradoxical relation to Goldmann: openly rejecting him but returning recurrently to his themes.<br />
The paper concludes by addressing Goldmann's wider conception of the Pascalian gamble (cf MacIntyre (1971),<br />
Davidson (2014)). Goldmann's own wager is on the practical feasibility of a future that combines the human rights of<br />
the Enlightenment tradition and the egalitarian solidarity of the socialist tradition. Yet, even while reaffirming this<br />
wager, Goldmann considered post-WWII capitalism to have become tragically re-stabilised, so as to have lost its inner<br />
tendencies to crisis and the emergence of oppositional antagonists. This view is questioned, especially in the light of<br />
successive post-1970 recessions and the shift to the "spectacular" (Piketty 2014) deepening of inequality.<br />
G.D.H. Cole: Sociology, Politics, Empowerment and 'How to be Socially Good'<br />
Masquelier, C., Dawson, M.<br />
(University of Surrey)<br />
This paper considers the sociology of the early 20th Century British theorist G.D.H. Cole (1889-1959). Although<br />
primarily thought of now – when thought of at all – as a political theorist, Cole's work contained a clear sociological<br />
perspective. This was expressed most clearly in his texts on social theory, the class structure and various obstinately<br />
political writings. Emerging from a distinctively sociological reading of Rousseau's general will and a qualified critique<br />
of scientific Marxism, Cole's main focus was on the forms of association social beings engage in, the loyalties these<br />
engendered, and the forms of emancipatory practices they can be expected to yield. Keen to circumvent the aporias<br />
of mere negation and unwilling to find comfort in the belief in capitalism's self-destruction, he opposed the perversion<br />
of an innate impulse towards sociality with an alternative set of socio-political institutions thought to remedy the social<br />
109 BSA Annual Conference 2015<br />
Glasgow Caledonian University