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Differences of Perceptions, Outputs and Outcomes of Racialized Faculty<br />
Ramos, H., Li, P.S.<br />
(Dalhousie University)<br />
Friday 17 April 2015 11:00 - 12:30<br />
PAPER SESSION 7<br />
Census data shows that visible minority professors are underrepresented in Canadian universities. That data,<br />
however, does not allow for an exploration of why that is the case. We present national data on the representation and<br />
income of racialized faculty and new survey data on professors' perceptions of the academy from eight Canadian<br />
universities. We also examine academic output and outcomes of professors and their relation to tenure and<br />
promotion. Data show that visible minority professors are more skeptical of 'hard' measures of career success, such<br />
as publications and grants, and believe that 'soft' measures, such as personality are linked with career success. The<br />
survey also shows that visible minority professors publish at higher rates than other professors and win more grant<br />
money, yet are generally less likely to be working in a tenure track position.<br />
Race, Ethnicity and Migration 2<br />
W709, HAMISH WOOD BUILDING<br />
Sound System Multicultures: Between Dancehalls, Radio Waves and YouTube<br />
James, M.<br />
(University of Sussex)<br />
Drawing on ethnographic material from two youth clubs, this paper explores the performance of YouTube music<br />
videos in order think about the changing relationships between technology, performance and social life in outer East<br />
London, and conjointly to understand shifts in black diasporic vernacular culture in urban Britain. The first part frames<br />
the presentation through a conceptual discussion of cultural technology and black diasporic performance musics. The<br />
second section develops these debates through a historical overview of the reggae sound system and pirate radio.<br />
This locates the analysis of YouTube music videos in a social and cultural context of shifting vernacular forms.<br />
Building on this theoretical and contextual base, the final section draws on ethnographic material to ask what YouTube<br />
music videos reveal about transformations in urban multiculture. The conclusion evaluates the significance of these<br />
social, cultural and technological transformations.<br />
Competing Understandings of Multiculturalism in Two Super-diverse Urban Neighbourhoods in London and<br />
Berlin<br />
Juhnke, S.<br />
(University of Manchester)<br />
Based on doctoral research undertaken in super-diverse neighbourhoods in London and Berlin, this paper explores<br />
how predominantly white and middle-class professionals relate to multiculturalism in changing urban settings. The<br />
fieldwork sites are undergoing processes of accelerated gentrification and regeneration, and are equally well-known<br />
for their ethnic, cultural and social diversity, as well as for their importance for creative economies, leisure time<br />
consumption and 'hipster' culture. This paper will draw on data from in-depth interviews with creative professionals<br />
living and working in these settings: artists, designers, filmmakers and social entrepreneurs. It is supplemented by<br />
representations of these neighbourhoods in the respondents' creative output.<br />
In the paper there will be exploration of how multiculturalism is understood, experienced and represented differently<br />
both within and between the British and German capitals. It will highlight the significance of national context in shaping<br />
both the forms multiculture assumes and the ways through which it is engaged with and by whom. The international<br />
composition of the 'creative class' has a strong Western European and North American bias and plays out differently<br />
in both cities. Whereas respondents in London 'integrate' into a cosmopolitan white middle class section of the<br />
population, in Berlin they constitute a group that is understood as a 'new multiculturalism' which is positioned between<br />
a white German majority culture and ethnic minorities. Looking closer at this dynamic promises to reveal the ways in<br />
which gentrification, multiculture and creativity interact through the working practices of urban creative professionals.<br />
Digital Throwntogetherness: Young Londoners Negotiating Urban Politics of Difference and Encounter on<br />
Facebook<br />
Leurs, K.<br />
(London School of Economics and Political Science)<br />
273 BSA Annual Conference 2015<br />
Glasgow Caledonian University