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Friday 17 April 2015 at 15:15 - 16:45<br />

PAPER SESSION 8<br />

Cities, Mobilities, Place and Space<br />

M532, GEORGE MOORE BUILDING<br />

The Social Value of Independent Bookshops: Small and Slow is Beautiful<br />

O’Brien, G.<br />

(University of Southampton)<br />

Since the 2007 OECD declaration that the measuring of progress in all countries beyond examinations of GDP per<br />

capita would need a shared view of what well-being actually is, various measures have been introduced. Thus, the<br />

ONS implemented the 'Measuring National Well-Being <strong>Programme</strong>', with 'good connections' with spouses, partners,<br />

friends and family as one of a number of key indicators of what matters to people (ONS, 2011); the New Economics<br />

Foundation's (NEF) dynamic model of well-being included a more generic being 'connected to others' as essential<br />

(NEF, 2013); and Oxfam Scotland included local facilities, community spirit and culture/hobbies in their measure for<br />

the progress of prosperity (Oxfam, 2013). Yet, despite the continuing loss of local facilities such as post-offices,<br />

libraries and retailers such as independent bookshops, little has been said about the contribution any commercial<br />

high-street retailers make to well-being, other than a highlighting of the gap in evidence for their social value<br />

(Parliament, 2014).<br />

Using ethnography at a single independent bookshop and statistical analysis of the diversity of UK independent<br />

bookshops, this paper argues that independent bookshops deliver social value to local communities through a<br />

physical connectivity that is: present within their spaces and commodities; participatory in the sharing of ideas; and<br />

particular in their diversity. Further, it is argued that contrary to free-market beliefs in high-volume fast selling of books,<br />

this connectivity is reliant on a kind of retail that is small and slow.<br />

Museums, Communities and Participation<br />

Dicks, B.C.<br />

(Cardiff University)<br />

Today's museum is <strong>full</strong>y enlisted in the 'participation game': funders and policy-makers require it to reach out to local<br />

communities and form active, collaborative partnerships with them. This responds to a long-standing perception that<br />

local communities are relegated to a merely passive role in most museums, welcomed if at all only as consumers of its<br />

'products'. The rhetoric is ambitious: local skills are to be enhanced through volunteering, training and<br />

apprenticeships, etc. which means throwing open the museum's doors to local residents who would not normally visit.<br />

However, such relationships can be fraught in practice, raising a number of questions for sociologists. First of all, there<br />

are questions over what 'participation' means, and concerns that funding streams intended for active community<br />

involvement may be diverted into mere 'consultation' or, worse, the expropriation of local voluntary labour. Secondly,<br />

community members may find themselves co-opted into well-meaning but over-hopeful agendas, where they are<br />

expected straightforwardly to 'benefit' from volunteering and participation activities, often in a therapeutic or<br />

educational sense, or at least to become 'included'. Often, there are even expectations of poverty being 'tackled'.<br />

Thirdly, the museum's aims, working practices and raison-d'etre as an organisation may be in conflict with its own<br />

participation aspirations. This paper explores these claims and tensions by reporting on a field-study of a museum<br />

where community participation is currently high on the agenda.<br />

Interpretations on Tranquil Spaces<br />

Hewlett, D.<br />

(University Of Winchester)<br />

287 BSA Annual Conference 2015<br />

Glasgow Caledonian University

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